Durazno

A young girl turns into an A-List celebrity over night when her private journal is accidently published and becomes a best-seller.

Two teen boys living in an isolated house in the mountains contemplate their existence while maintaining a video diary of their daily lives.

Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.

An old man comes across a fascinating archive, then meets a woman who introduces him to the life of a banker, patron and philanthropist. A moving essay that is part documentary, part film diary.

A passionate foodie loses his beloved hawker stalls to corporate pressure, he reluctantly turns to processed food he calls 'trash' in a moment of deep sorrow and disappointment as he grieves the loss of his favourite food stalls.

This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.

A twentysomething spends a year closer and further from friends. A unique look at the Philly scene in the year 2021.

An experimental coming-of-age odyssey through someone's troubled mind, going from country to country, landscape to landscape, growing up in the process. A documentary, travelogue, vlog, dream and self-portrait. A reflection on life, death and history.

For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.

Raphael, Yervant Gianikian's father, survived the Armenian genocide in 1915 in Eastern Turkey. In April 1988, while living in Venice, he sat for his son's camera and read an excerpt from his memoirs, translated from Armenian into Italian.

It has been a year since Juliette’s sister has passed and she hasn’t been doing so well since that day, but she must learn how to be kind to herself.

cellular memories, schizophrenia, and emancipatory masculinity.

Through phone call conversations, an aspiring Ilocano filmmaker relates to his mother working in Italy about his dreams and struggles while documenting the invisible betweenness of their language and distance.

One fine morning it stopped working and I realized my little compact camera was dying. So I started taking as many photos as possible with it before it dies. These photos were taken in 2018 and 2019. A time I spent in oblivion. It was dark. It was blurry. This silent film is my tribute to my beloved camera.

'Eigi Sylhet' is a journey of my self-discovery. With no narrative, this two-minute diary film paints a portrait of my resilience and artistic awakening, weaving together my self-portraits and cityscapes captured in 2018, a year I spent in oblivion, solitude and contemplation. It's a letter I wrote to my future self.

The untold state of mind dealing with an incurable disease. One is wondering if there's still a dream to achieve in life. One is running as if this free spirit of mine has never been taken away.

Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.

I wasn’t told. I wasn’t told it would be so difficult to live together. To keep a family together. To maintain love and happiness. I wasn’t told, and if someone had told me I wouldn’t have listened. I chose to live with my camera in my hand, filming the trajectory of feelings, from the golden age to the lost paradise, from being born to being reborn.

Soare is a musician with too little inspiration and too many neurons baked from smoking weed. One day, he decides that his life has become too chaotic, so he begins writing a guide for surviving the moments when his reality stops making sense. Passing various surreal episodes, Soare hopes to regain his inspiration.

On January 1st, 1999, Caveh Zahedi started a one-year video diary. The idea was to shoot one minute each day. This is the result.