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Bairro

Ruídos Do Cerne

a young timid boy who is doubtful about faith and religion is beaten by curiosity and ends up wandering into a peculiar church and encountering a celestial yet godlike girl.

Viet Flakes was composed from an obsessive collection of Vietnam atrocity images, compiled over five years, from foreign magazines and newspapers. Schneemann uses the 8mm camera to “travel” within the photographs, producing a volatile animation.

A flicker film, composed entirely of iPhone footage, depicting an implosion of sense.

When Adrian's friend denies him a loan of money, a rampage of thoughts starts within him. Why won't Jacob lend him any money? And why won't he lend any to him, specifically?

An inexperienced astral projector seeks his grandmother’s wisdom after meeting an uncanny woman in a place transcending reality.

A very short film on the exploration of textural nuances through the city of Dublin. Shot on iPhone. Accompanied by a score.

INYAK

Japão

An experimental visual project by Ben Hohener.

Every winter, a small town in Castilla-La Mancha called Luzón transforms into a little hell. Its inhabitants, dressed as devils, venture into the darkness and roam its streets with horns, bells, and smeared with soot. Una dança non sancta could have been just an anthropological documentary. Instead, it delves into the inferno with the town’s residents to participate in and immortalize this unholy ritual.

Abstract video art by John Sanborn and Dean Winkler. Dedicated to Ed Emshwiller.

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

The last remnant of memories, before it forever perished.

Using variations of color and light, this is a method that I attempted to translate how I feel for a special someone on her special day.

A Photographer enamored with a lone tree tries to take a picture. He falls down to a rabbit hole of perspectives as he take the Sisyphean task of taking a photograph of the tree

A Zapotec man from the future tells the story of how in the 21st century a new invasion of “foreigners” was afflicting his village. While people in Europe were suffering a crisis that made them lose memory and a sense of their culture, a group of youth in his village in Oaxaca was trying to document their own culture by making a film during Carnival rituals. While the youth are pushed to invite a director from the city to come help them, ultimately changing their project to be a remake of Ingmar Bergman’s THE SILENCE, a Swedish woman comes exploring in search of magical lizards that could be the next remedy for memory crisis back home. Characters mix and stories blend into each other in this absurdist and melancholic lo-fi/sci-fi story narrated as oral history with multiple voices.

The creation of an infinite space. Light modulations over water surfaces, conjugating into multiple alterations. Time and light being reshaped through a liquid lens. The illusion of a starry night turns into a sea “roofed over by rainbows.”

A vent in the form of an experimental short film, Lip Balm is about finding ways to cope with what can feel like the lowest moments of one's life.