Willy Willy

En La Profundidad de la Superficie

Fleeting moments of connection.

A partially improvised and experimental choreographic installation performed by Alexander Ekman and dancers from the Royal Swedish Ballet. Based on Ingmar Bergman's TV-series "Scenes from a Marriage"

Harlen’s a young girl who curiously follows a pair of pink hands through a mirror. She becomes part of a beautiful world where absolutely everything is controlled by The ominous Man with The Bunnyhead.

Filmed on Wednesday, March, 27th 2024. I tried capturing something more serene with A Moment In Time. Shooting the steps of my porch with life going on around it.

On a day in the field, a young woman questions her relationship when she catches a man taking photos of her.

Doppelgänger

Manila Madness is a performance film-screen dance presentation that runs down the life of the urban streets of Manila in the Philippines, through a ritualistic performance of a young masked woman seeming endless passage to find the ultimate destination of life and death.

MIG4

To cope with a grieving process, Eli creates his own pink musical paradise, full of neon lights and a lot of gayness.

On a cold bus stop bench a young woman evening takes a terrifying turn when she faces relentless and disgusting harassment from a group of young men. But when a stranger she once regarded as threatening and dangerous steps in to defend her, she is compelled to re-evaluate her preconceived judgements of people.

An abstract exploration of memory and loss.

A class project by transgender multimedia artist/dog Natalie Pit. Features the band Cherry Pit performing the second half of their song "I AM NOT A PERSON", set against unlicensed footage from other trans filmmakers, including the likes of Lex Walton, Louise Weard, Cate Wurtz, Jane Schoenbrun and Lily Alexandre.

Experimental narrative with comedy and horror made via long-distance collaboration between two artists.

'This Socks' is a stop motion animation short film that experiments with different techniques to illustrate a common everyday annoyance.

Psychedelic and occult visions intertwine, between a woman and a decapitated pig's head.

The experimental film follows a young woman as she struggles to keep up with the fast pace of life. The film delves into her inner turmoil as she tries to escape the relentless pressure of time and find a sense of peace and belonging in a world that never slows down.

"After the experience of making the film for my thesis defense, and, of course, translating and working on the essay Amateur vs. Professional [Amateur Cinema], particularly Maya Deren’s definition of amateur cinema, it became a concern of mine. After a difficult year, I decided, based on a personal manifesto shaped by my surroundings [Paramedia], to make a film that I myself would like to see more of. A film created through image, montage, and the possibilities specific to the cinematic apparatus, with an emphasis on organicity. At the same time, it was a response to the question of mainstream cinema versus art cinema, and ultimately an attempt to arrive at a third option, one that is completely separate from those two modes of cinema: experimental cinema, structural, abstract, expansive, and so on. The final product was Me, I'm Not."

Two men in the moors alone, fighting their free will and masculinity (or lack thereof).

Music by Byron Westbrook, 16mm film by Paul Clipson.