Two New York poets talk about art, poetry, and smoke in this French New Wave inspired short.
A delusional man in a modern day city dresses, acts like, and has the mindset of a cowboy.
Vincent Gallo as Flying Christ
A young artist is followed by his friend in New York. A Tribute to Jean-Michel Basquiat
A completely nonlinear collage of unconnected scenes.
This fascinating and retrospective look at the music of the outspoken and multitalented Lydia Lunch represents every stage of her varied career, with featured songs such as "I Woke Up Screaming" from her Teenage Jesus and the Jerks days. Other songs spanning the decades in this collection include "Freud in Flop," "Sorry for Behaving So Badly," "Dead River," "Solo Mystico," "Summon," "Violence Is the Sport of God" and many more.
A film noirish atmosphere is created to show detective Lunch (a popular underground musician and poet) plow her way through the plans of a corporate businessman who seeks government defense contracts through real "corporate wars" and the manipulation of politicians.
Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.
A Nietzschian parable on the fate of innocence, THE TRAP DOOR follows the mishaps of Jeremy (John Ahearn) as he is fired by his boss (Jenny Holzer), gets laughed out of court by Judge Gary Indiana, loses his girlfriend to sleazy Richard Prince, is hustled by prospective employer (Bill Rice) and mauled by predatory bird-women. Finally, he seeks the help of a shrink (the legendary Jack Smith) who turns out to be the most demented of all.
Complete strangers meet in a room to act out their sexual desires.
In this ostensible murder mystery, the genre elements are merely a pretext for the series of haunting (if inconclusive and only mildly erotic) homo-social encounters he stages. Starting with the familiar premise of the absent woman, so popular with Downtown filmmakers, Vogl drains his storytelling of any hints of noir stylization. Instead of nighttime scenes, slick streets, and dark alleys, he shoots documentary-style on the nondescript, sunlit streets of Brooklyn, Manhattan, and City Island in a manner that casually references the art-film angst of Michelangelo Antonioni.
No-Wave film directed by Gordon Stevenson from Teenage Jesus & the Jerks. Mirielle Cervenka (Exene's sister) plays a young woman named Rose who is afflicted with a case of extreme stigmata.
PBS produced documentary in two parts: the first is dedicated to saxophonist and composer John Zorn; the second is about Sonic Youth at the height of their powers in 1988.
What happens when an 18-year-old babysitter finds out she's sitting for a 27-year-old slacker?
Ohnivé ženy
In a countryside village, a veteran politician, Damalas, and a young attorney, Ntinos, son of the village doctor, are rivals in the upcoming elections. Main controller of the political dispute is the all-powerful president of the village, Spyros Dalengos, who affects 900 of the inhabitants. The power acquired by those 900 people is the only dowry of his daughter Marina, who is in love with Ntinos. He has fallen for her to, but his conscience doesn't allow him to accept the unrighteous deal offered by Dalengios, who, after that, decides to support Damalas. However, Marina secretly changes the ballots handed out by her father's men, granting victory to her beloved, who goes straight to ask her to marry him, certain that he won thanks to his own abilities and effort.
Ohnivé ženy se vracejí
Ohnivé ženy mezi námi
The first installment of a two-part movie adaptation of the Vladimír Páral's novel about three friends who decide to start up an erotic enterprise. All plot complications ensue from running their 'amateur' pleasure parlor.
Although shot simultaneously with the first part, director Vít Olmer's sequel to the story of three businesswomen dealing in erotic services stands on its own. The film abandons a majority of the topics important to the original and focuses instead on a new plot and characters: the erotic club's new owner introduces an element of crime by blackmailing her customers.