Ecstatic Stigmatic

A group of actors in the East Village of New York City have been rehearsing for a play when the lead actress in the play turns up dead.

A documentary on the music, performers, attitude and distinctive look that made up punk rock.

A film noirish atmosphere is created to show detective Lunch (a popular underground musician and poet) plow her way through the plans of a corporate businessman who seeks government defense contracts through real "corporate wars" and the manipulation of politicians.

This fascinating and retrospective look at the music of the outspoken and multitalented Lydia Lunch represents every stage of her varied career, with featured songs such as "I Woke Up Screaming" from her Teenage Jesus and the Jerks days. Other songs spanning the decades in this collection include "Freud in Flop," "Sorry for Behaving So Badly," "Dead River," "Solo Mystico," "Summon," "Violence Is the Sport of God" and many more.

In the void created ad hoc to throw us into desperation, fear, shock, the torment of an infinite present, Arto Lindsay sings with words, silences and small gestures of/with/for/about love, a force that is so violent that nothing will ever be the same again.

When a gang of suburban teens stumbled across a bunch of abandoned instruments and formed The Fleshtones little did they know that 30 years later they'll still be struggling to rock - and pay the bills.

Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.

In this ostensible murder mystery, the genre elements are merely a pretext for the series of haunting (if inconclusive and only mildly erotic) homo-social encounters he stages. Starting with the familiar premise of the absent woman, so popular with Downtown filmmakers, Vogl drains his storytelling of any hints of noir stylization. Instead of nighttime scenes, slick streets, and dark alleys, he shoots documentary-style on the nondescript, sunlit streets of Brooklyn, Manhattan, and City Island in a manner that casually references the art-film angst of Michelangelo Antonioni.

Complete strangers meet in a room to act out their sexual desires.

Featuring eighty-two minutes of extremely rare, never-before-seen international concert performance footage of bands such as Rancid, Joe Strummer and the Mescaleros, Dropkick Murphys, The Slackers, Roger Miret and the Disasters and Tiger Army - to name just a few, the GIVE 'EM THE BOOT DVD is a gritty look into the underworld of Hellcat Records through the eyes of founder Tim Armstrong and a hoard of his Hellcat family members! Highlights include performances and extra footage from tours such as the Rancid/ NOFX tour, the first Lars Frederiksen And The Bastards tour, various headline tours and both Hellcat Records’ Punks VS. Psychos Tours.

For the first time on DVD, Terry Chimes fills in the story of the birth of punk. Essential viewing for every Clash fan, this incisive film features long-serving road manager and author Johnny Green who reveals the philosophy and the spirit which drove the band. Drawing on extensive footage of the Clash in performance as well as previously unseen drawings and cartoons by the legendary Ray Lowry, this is as close as you¹ll ever get to being there.

The sexual misadventures of a sexually insane girl.

PBS produced documentary in two parts: the first is dedicated to saxophonist and composer John Zorn; the second is about Sonic Youth at the height of their powers in 1988.

With HOW TO FLY, Bowes abandoned plot entirely, finding other forms of structure. He wanted to show that stories do not have to obsessively organize and explain data, and that television’s hundreds of simultaneous, fragmented narratives – news, fiction, commercials, sports, etc. – had prepared audiences for this new type of structure. — Charles Ruas

A Nietzschian parable on the fate of innocence, THE TRAP DOOR follows the mishaps of Jeremy (John Ahearn) as he is fired by his boss (Jenny Holzer), gets laughed out of court by Judge Gary Indiana, loses his girlfriend to sleazy Richard Prince, is hustled by prospective employer (Bill Rice) and mauled by predatory bird-women. Finally, he seeks the help of a shrink (the legendary Jack Smith) who turns out to be the most demented of all.

Two New York poets talk about art, poetry, and smoke in this French New Wave inspired short.

A delusional man in a modern day city dresses, acts like, and has the mindset of a cowboy.

Documentary about punks of the city of São Paulo and its difficulties, struggles and ideals, the importance of music in the universe of its ideology, interviews and images of shows of some musical groups like Ratos de Porão, Inocentes and Fogo Cruzado.

Vincent Gallo as Flying Christ

A young artist is followed by his friend in New York. A Tribute to Jean-Michel Basquiat