Kalabaka (The Secrets of Unknown Europe)

Documentary by Portuguese Silvino Santos, about the Amazon, its flora, fauna, its inhabitants and among other wonderful images from the beginning of the 20th century with alternating close-up shots of caimans, jaguars and tropical flora with footage of Indigenous rituals--including some of the earliest known moving images of the Indigenous Witoto people--and longer sequences showcasing the region’s extractive industries: rubber, the Brazil nut, timber, fishing, even the egret feathers that were a staple of women’s fashion at the time.

By attempting to travel 2,960 km from southern Quebec to its northernmost point, by bike and skis, in the middle of winter, adventurers Samuel Lalande-Markon and Simon-Pierre Goneau want to reinvest the territory and reflect on the identity and collective relationship that Quebecers have with it. Their journey begins at kilometer marker 720, an obelisk-shaped monument located on the border with the United States, and ends at Cape Anaulirvik, north of Ivujivik, the northernmost point of the Ungava Peninsula. Over the course of a 91-day expedition, they set out to meet the country in all its immensity, splendor and impetuosity, a country that suddenly reveals itself to be less abstract, less distant, more real.

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min

"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.

A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.

This 10-minute short documentary exploring the shifting state of the American poultry industry was preserved in 2015 from an original nitrate print. More information is available on the film's page in the National Film Preservation Foundation's website, where this version can be found featuring original music by Michael D. Mortilla.

The subject is a group of women bathing in a public swimming pool. The camera was placed on the edge of the pool and the full extent of the film shows the women in the pool. Only the heads and shoulders of most of the women are visible but it is possible to see they are wearing rented bathing attire.

The world appears black on black until it separates from itself, looks at itself, includes itself, and sees colour.

The meeting point between two comunication media: A letter written in 1929 -hidden inside the adobe walls of an old country house - and the shooting of the coutryside along the highway that connects two Chilean cities un 2018.

Topical Budget 545-2. Newsreel of the 1920s aerial stuntwoman and barnstormer, Sara “Babe” Kalishek. We see her on the ground at first, standing in front of a plane before we see her wing walking on a plane in flight, then climbing from one plane onto the wing of another.

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.

Roald Amundsen's South Pole Journey is a Norwegian documentary film that features Roald Amundsen's original footage from his South Pole expedition from 1910 to 1912.

Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.

"Cruzando América de Punta a Punta!" follows the epic journey of Ramilla de Aventura as he embarks on a thrilling expedition crossing the American continent from Barrow, Alaska, to Puerto Toro, Chile. Over the course of 50 days, Ramilla experiences the diverse cultures, landscapes, and people along the way, documenting each step of the adventure. The series captures the essence of slow travel and human connection, showcasing both the challenges and exhilarating moments faced during this remarkable journey.

A fascinating pictorial document: On an old, cluttered work ship, a man is helped on with a bulky, old fashioned diving suit. It's a complicated process, many layers and sections are carefully applied. He goes over the side. Some men row out to what looks like a wrecked barge and set dynamite. Then the diver returns and now laughs and acknowledges the camera. The other men, now safely away, blow up the barge.

A short dance film in Pathécolor, also know as stencil colouring. The editing cuts correspond with the dancers' costume changes. More about stencil colouring at http://zauberklang.ch/filmcolors/timeline-entry/1218/.

This documentary shows how the Berliner workers lived in 1930. The director Slatan Dudow shows through images: a) the workers leaving the factory; b) the raise of the rents; c) the "unpleasant" guest, meaning the justice officer that brings the eviction notice; d) the fight of classes of the houses of capitalists and working classes; e) the parks of the working class; f) the houses of the working class, origin of the tuberculosis and the victims; g) the playground of the working class; h) the swimming pool for the working class, ironically called the "Baltic Sea" of the working class; i) the effects of humidity of basement where a family lives, with one member deaf; j) one working class family having dinner while the capitalist baths his dog; k) the eviction notice received from an unemployed family and their eviction.

Registration of the city of Stockholm and its surroundings. Shots from a tram of various cityscapes: a park, brass band, shopping street, market, canals and boats.