Cataclysmes, les grands régulateurs
A shortfilm directed for Canal + TV Show "L'Œil du Cyclone", Episode 74. "What interests me is the hypnotic trance in which one can plunge a viewer. When you make a film and it works, you're like a shaman, a hypnotist."
An athlete demonstrating various poses.
This film documents the 1896 Melbourne Cup horse race including footage of the crowd watching the race.
This film is part of the Mitchell and Kenyon collection - an amazing visual record of everyday life in Britain at the beginning of the twentieth century.
Eugen Sandow, who claims to be the strongest man in the world, appears in the Edison Company's film studio.
King of the slack wire. His daring feats of balancing as he performs his thrilling feats in midair show that he is perfectly at home.
Sculptress Virginia May is seen making a clay model of a tyrannosaurus rex, which is animated using stop motion, and then fights a stop-motion triceratops. Although Miss May's only known relationship with the movies is this particular short, her contemporary, Willis O'Brien and his student Ray Harryhausen certainly made the field a lively one until computer animation caught up in the 1990s -- and arguably their artistry is still unsurpassed.
Two men have a contest to see which one can be the first to eat a large slice of watermelon.
Vaudeville dancer Amy Muller performs a portion of her stage routine, which features dancing on her toes. She dances on one toe for part of the performance. Later, she also twirls and does cartwheels.
A regiment of soldiers demonstrate their skills.
The 1900 Paris World's Fair as seen from Trocadéro.
The Holy Sepulcher in Jerusalem.
The President of France and entourage on a pier's promenade.
Workmen fix a walkway with bitumen.
A view of Piccadilly Circus in London.
Actor and writer Mark Gatiss embarks on a chilling journey through European horror cinema, from the silent nightmares of German Expressionism in the 1920s to the Belgian lesbian vampires in the 1970s, from the black-gloved killers of Italian bloody giallo cinema to the ghosts of the Spanish Civil War, and finally reveals how Europe's turbulent 20th century forged its ground-breaking horror tradition.
Infamous disappearances of ships and aircrafts, stories of lives lost — they’re all part of the legend of the 500,000-square-mile expanse of the Atlantic Ocean known as the Bermuda Triangle. In this one-hour special, National Geographic Channel explores the area’s ominous reputation by draining the water from it to see what exactly lies below the surface of the mythical triangle. With the aid of data from sophisticated sonar surveys, see what the ocean floor looks like below the Bermuda Triangle. Witness what strange geological features will be revealed and whether they will shed light on the mysterious occurrences that have been documented within the boundaries of this area of ocean.
A very heavy turret is transported on a truck drawn by a long line of horses. The inscription “Charlemagne 53790K” readable on the turret suggests that this view was shot in the vicinity of Saint-Chamond, a town where there are factories specializing in the construction of heavy steel. It is certainly a turret intended for the battleship “Charlemagne”. In addition, a view projected by the Aléthorama on January 20, 1898 in Saint-Étienne, and entitled “Transportation of the armored turret of Saint-Chamond by a team of 80 horses”, could represent the same event.
A boat returns to port, where passengers are helped ashore.