Things We Won't Say About Race That Are True

La puerta azul

Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.

This documentary charts 20 years of the French national soccer team, Les Bleus, whose ups and downs have mirrored those of French society.

Coffee-Colored Children is an autobiographical portrayal of Ngozi's, and her brother's, sad welcome to the world where the color of your skin dictates the amount of respect & love you receive.

On June 21 2007, the Howard Federal Government launched an intervention into Aboriginal communities in the Northern Territory. It was one of the most dramatic policy shifts in the history of Aboriginal affairs. Relentless media attention focuses on ideological arguments for and against the Intervention, while the voices of those affected by the policy are rarely heard. For this film more than 40 Alice Springs town camp residents were interviewed in depth over the course of eight months to find out the answer to the question - is it working?

The film expresses the history of oppression, discrimination, violence and hate in America. It was nominated for an Academy Award for Best Documentary Short.

Lazy, idle, effeminate, strikers from father to son : French stereotypes are doing well. Anglo-Saxons, very especially fond of these preconceived ideas, take delight in disseminate them accross the world. Political and cultural realms particularly adore it. Concerned about reflecting a positive image abroad, politicians do their best today for their country to regain prestige. Decoding "French Bashing" diplomatic role and consequences.

La Vie sans Brahim

In a small commercial harbour in the south of France, two Moroccan sailors are watching over ferries that were abandoned by ship-owners. Young Syrians make a stopover to load their cattle, African traders prepare a convoy of second-hand vehicles. Men, machines, and animals transit through this space open onto the sea.

A childhood story is narrated while home movie footage is displayed. The narrator recounts her assimilation experience: moving to America, learning English, giving up your culture and a part of yourself.

Journalist Émilie Tran Nguyen invites the viewer to follow her in her quest and discover, at the same time as her, the historical origins of this anti-Asian racism. Told in the first person, alternating archive images, interviews with historians, sociologists and field sequences, this film traces the making of prejudices in the French imagination and pop culture, to twist the neck of stereotypes, deconstruct and act.

The story of anti-apartheid activist John Harris - who was hanged after a fatal bombing in Johannesburg in 1964 - told by those who knew him best and through newly discovered home movies.

In the winter of 1991 an ABC film crew spent six weeks following Sydney's Redfern police. The inner city patrol of Redfern is predominantly working class with a large aboriginal and migrant population. The police in this film are general duties officers mostly on mobile patrols. At the time of filming 78% of police at Redfern were under the age of 25.

Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.

When a young woman is shot by an undocumented immigrant on Pier 14 in San Francisco, the incident ignites a political and media furor that culminates in Donald Trump’s election as President of the United States. In the eye of this storm, two public defenders fight to reveal the truth.

Earl Kenneth Kaufmann is the Scary Guy. Banned and kicked out here and there. Because of his looks. A motivation trainer and speaker who campaigns worldwide to eliminate hate, violence, prejudice, and bullying in schools and corporations. In addition to being a tattoo shop owner, comic, entertainer, inspirational speaker, and performance artist.

Director Anna Broinowski explores how Pauline Hanson's speech in 1996 and the decades of debate that followed has influenced Australia today; the impact of her political career on modern multicultural Australia, and the people who have helped her transition from local fish shop owner to Member for Oxley. Featuring many of Hanson's critics, opponents, advisors and commentators, from former Prime Minister John Howard, to current members of the media, including Margo Kingston and Alan Jones; and leading Indigenous commentator, Professor Marcia Langton.

Crossfire is Lauren Southern's third documentary film project focusing on the issues surrounding policing, brutality, race, law and order. A heated debate today which has led to a massive political divide between those supporting officers, those defending reform and even many rioting violently in the streets.

With the help of hidden camera, Danish TV 2 documents how a known Danish imam teaches Muslim women about Islam's violent rules of adultery.

Europe, the rule of law and host countries? Look elsewhere denounces what is happening in many European cities by taking the example of Calais. From the expulsion from the "jungle" in October 2016 to the situation there a year later, Arthur shared moments of life with men and women of Sudanese, Afghan, Ethiopian, Eritrean and local descent of Calais. By highlighting the gap between the field and the official speeches, this film shows us the strategy put in place to dissuade the exiles from staying. With original filming methods and his civic gaze, the director has managed to film the state harassment, the media staging, but also the strength and humor of the exiles.