Don't Ask Where We Are Going

Egotistical faded star Hedy Lamarr visits a plastic surgeon to be transformed into the "14-year-old girl" she believes herself to be. She is then caught shoplifting by Mary Woronov and is put on trial, with Tavel as the judge and her five ex-husbands the jury. Hedy remains self-centered and detached throughout, posing and primping and bursting out renditions of "I Feel Pretty" and "Young at Heart."

A short film made with unused footage from The Red Light Bandit and Carnaval na Lama.

A huge, run-down apartment in Berlin Mitte. Two women and a man, rehearsals for a movie about love and sex, that will never be shot. Acting and reality mingle into a dangerous mélange.

Countess Mitsuko Maria Thekla Coudenhove-Kalergi was the first Japanese female to come to Europe at the turn of the 19th century. She lived mostly in the area of the Bavarian border and administered the Poběžovice Castle, an estate of her deceased husband, Count Heinrich Coudenhove-Kalergi. She was a strong and well educated woman, never left by the nostalgia for her home. The film is loosely inspired by historical sources, relying on the unique imagination of Mark Ther and his proven feel for the narrative of the untold.

Sex as a mutual creative gesture.

Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .

A father and son tries to mend their relationship while working on a plan to fake the old man's death.

Attempts to showcase how the creation of art directly correlates to the perception we have of ourselves and the life around us as shown through the eyes of a struggling family.

In a series of juxtaposed images and sounds, Jaromil Jireš comments on the tragic premature death of thousands as well as their posterity due to the atomic bomb.

This is our documentary, it is about you and me. One day after you disappeared, after you sent that break-up message, I made you this video letter. A day after the military took power. In a matter of a day, you and I lost us, and we all lost a revolution. I am not angry, I am disappointed. But how does one live disappointment? What is the physical action associated with disappointment? Anger is much easier. Sadness is much easier. Hatred is the easiest. But I don’t hate you. You are too innocent to hate. We were too innocent to win. It is life.

When she arrives in a new world, Isabela is tasked with discovering her true essence. Watched by Shadow, the guardian of this ghostly place, Isabela meets other travelers and reevaluates her memories, relationships and emotions.

Is all that we see or seem, but a dream within a dream?

A young woman is left stranded in an abandoned industrial building, bound by 16mm film. Meanwhile, an angel roams a highway.

Bert Deling's surreal, button-pushing and hallucinogenic paean to the emerging possibilities of avant-garde and homemade filmmaking. Telling the tale of a violent ex-cop searching for the man who killed his partner, the film takes an unexpected turn when he encounters drug lord Plastic Man and a tribe of LSD enthusiasts. What follows is both literal and metaphorical mayhem as the boundaries of the film start collapsing and our idea of what's real is pushed to its very limits.

"There will be no winters" - a film consisting of 14 short novels, each with its own plot and a musical theme. In fact, this is a screen version of the same album of Russian avant-garde singer Leonid Fedorov.

Featuring today's modern outlaws - These are the outsiders of society. And their all stars. Director Fabrizio Federico has created a fact feature film about money, sex, dignity, and dreams. A group of misfit outsiders all face the difficult question of choosing between their dreams and talents, or following greed.

Seven girls become good friends in high school, then events pull them apart for 25 years. When one of the friends lies dying in a hospital, she wishes to see each of them one last time.

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.

Portrait of Jesse Collins: a daydream nightmare in the surrealist tradition.

Among the ruins of the cinema of my childhood, I found the remains of a film tape with pieces of films produced by the former state. Decay gave the tape a new quality and created a new aesthetic. The tape has found its way to its audience again. But nothing is the same.