This Must Be My Face

"A Motion Selfie" is one-of-a-kind DIY filmmaking: a darkly comic chronicle following a year in the life of a washed-up viral video star and the sexually depraved stalker who becomes obsessed with his work.

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

To the idly meditating musician received a call from his distant friend with a proposal to write a song about the untimely departed Lady Diana.

TRAUMA is a collaborative film project by Jesse Kanda and Arca first partially exhibited at MoMA PS1 at the end of 2013. The film follows a nonlinear narrative about the death of a salaryman, a drunk driving infant and takes place within a subconscious world. TRAUMA's score will span through Arca's existing and future works.

All day of St. Petersburg bohemia in 4 minutes of the film.

Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.

Short film by Mary Ellen Bute

In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly onto their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.

Short experimental documentary about legendary post-punk venue Crystal Ballroom, St Kilda.

Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-called negative post-process, while Niblock's camera focuses on microscopic details of hands, bodies and instruments. A brilliant tribute to the Sun King by another brilliant supra-planetary sovereign. (Eye of Sound)

Two ballet dancers perform a dance enhanced with surreal after-image visuals.

Throughout three decades, Bill Laswell has been a constant innovator, fusing seemingly disparate genres into a whole new sound. Touching upon everything from worldbeat, funk, rock, hip-hop and jazz, there are no limits to his experimental approach. Among his many talents is his ability to bring together well-matched singers and players to create a distinct style that defies easy classification. His Soundstage episode embodies his unique approach, transcending any genre boundaries and delivering an engaging performance. From the World Beat of Tabla Beat Science, to the jazzy flavors of Pharoah Sanders backed by Material, it’s an exciting mix. Other surprises include a rocking Buckethead set that includes a little breakdancing and songs by Praxis. The show culminates with an all-star performance, funked up by Bootsy Collins.

A film-parable about the eternal movement of mankind from the Stone Age to self-destruction.

The second "visual album" (a collection of short films) by Beyoncé, this time around she takes a piercing look at racial issues and feminist concepts through a sexualized, satirical, and solemn tone.

With 8 Switches, Tim Wright presents six black-and-white microcinematic vignettes of retina-searing, hard-edged, epilepsy-inducing sound and vision; digital hallucinations drained of colour, synchronized to a soundtrack that is relentless and unsentimental. Each new section presents a variation on the same sleek, kinetic minimalism. As each section progresses, the razor-sharp line between a host of binary oppositions—black/white, figure/ground, silence/sound, here/there, on/off — dissolves through sheer velocity. The rapid-fire alternation between these binary oppositions acts like the flicker of film frames, accelerating until sound and sight are wed into a synchronous whole in which neither the visual nor the sonic takes primacy. Instead, each acts as mutually constitutive literalisation of the other. — Joseph Clayton Mills

The past and the future collide as a mother abandons her child, provoking three spirits to seek revenge. An experimental musical mixing drama, tragedy and the occult.

A videodance short-film of the avant-garde / experimental dance group of the same name based on the book "Húmus" (released in 1917) by Raul Brandão.

An experimental movie composed of Erkki Karu's silent film Finland (1922) and Esa Kerttula's photos taken in 2020.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

A collage of Derek Jarman's super 8 footage spanning over 20 years.