Pollice Verso Reverso

I really hope this is well-received. I really hope there's some sort of reprieve.

Radical recurrences & rancorous requests raze my daze.

Onward, upward, greener [redder] grasstures.

Performance video about a holiday romance at St Ives, Cornwall.

On the Clickity-clack Express it's clear I'm always under duress, unless I forget.

Shadows frighten what one oughtn't be gripping (that thing before/hind you).

Beneath towering Brutalist architecture, a man is driven to do what must be done.

This cacophony runs over me, over everything I see, everything I want to see: it's me.

This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.

Arguably Larry Gottheim’s most exuberant experiment in the single-shot, single-roll format (and his first with a soundtrack), HARMONICA trains the camera on a friend improvising a tune in the backseat of a moving car. Held out the window, the harmonica becomes a musical conduit for the wind, while Gottheim's film transforms before our eyes into a playful meditation on wrangling the natural elements into art. - Max Goldberg

Álbum de videos 2013-2014

A film about friendship and the occasional loneliness.

Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from the feature film A Hard Day's Night and the "Rain" promotional film are countered with Paik's early electronic processing.

A coming-of-age story about a high-school girl who wants to use magic, featuring the 11-member experimental band Vampillia

Hiding inside&out, writhing about, taken out&in.

Shortly before his death, Romitelli together with his friend Paolo Pachini and the poetess Kenka Lèkovich, resurrected the dream of a total scenic art (a furnace of sensations, they called it, an_ initiation rite_) in the manner of the Futurists: rhythms and gleams of light striking metals (for the video part), poems in iron and chrome singing of fusion with matter (Kenka Lekovich), acoustic/electric music highly amplified, filtered, spatialised, in as artificial a manner as possible. An Index of Metals bears vigorous witness to this determination to go beyond: sizzling orchestration, electric and psychedelic; a voice which plays on effects, murmurs with reverb, cackles into a megaphone, screams like a pop star; and an electric guitar score of a kind that no ‘serious’ composer has ever written, sliding across an infinite range of tones with a lightness of touch and blurring of contours.

A film that places the bright and dark sides of life close together. From an understatement beginning, the movie drives up to an ecstatic highlight with a love act between two young people. The orgasm becomes an enormous image flow into the crematorium's death machine.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

James Sumner directs and animates the entire Dirty Projectors’ The Getty Address.

As years and years go by, a tiny civilization makes its way upwards.