Revisited Remunerations Rapturously Collapse When Recompensed

Don't ask me why, but I feel we're about to cry trying.

Say Om as you reach home only to realize you never really left/stopped saying Om.

Rather pointless, rather stilted, fetid; not what we want us going after.

Lines align during acclimated apexes, shadowy vertices, and bright burrows.

An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.

Centrist revelations abound among repetitions & revisitings.

Something I know or something I was told? When something scalding translates something to behold.

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

Slowed, stowed, achingly retold.

Still it's really tall. Still it's really floundering/falling/fading.

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

This cacophony runs over me, over everything I see, everything I want to see: it's me.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

A coming-of-age story about a high-school girl who wants to use magic, featuring the 11-member experimental band Vampillia

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Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.

Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.

WHAT YOU MEAN WE is a surreal short film by experimental artist Laurie Anderson.