An Evening of Troma-tainment with Lloyd Kaufman

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

Documentary about WWII propaganda cartoons.

Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the 1990s. Spearheaded in its early years by such filmmakers as Edward Yang, Ko I-cheng, Hou Hsiao-hsien and Wan Jen, the movement revitalized Taiwan cinema through low-budget experiments that emphasized personal stories, political reflection and stylistic invention. Said filmmakers, writers and actors like Wu Nien-jen and Sylvia Chang, even "second wave" directors Tsai Ming-liang and Lin Cheng-sheng provide fond reminiscences and retrospective insights in this compelling account of one of the most distinctive national cinemas of the last quarter-century.

Fusion spent two years with the production team of Disney's smash hit film. In 'Imagining Zootopia,' you will travel with the team to Africa to explore the animals in their natural habitat and find out how the storytellers and animators dealt with the very real themes of prejudice and bias.

Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. Tracing key developments in the evolution of music in film, and exploring some of cinema’s most iconic soundtracks, 'Score' is an aural valentine for film lovers.

The ultimate companion to John Carpenter’s "The Thing", digging deep into the proverbial iceberg to enhance your viewing experience with new insights, stories, and revelations.

This second entry in MGM's "Romance of Film" series documents how celluloid movie film is processed and features behind-the-scenes glimpses of current MGM productions.

The history of the Yakuza Eiga at the TOEI studio is roughly outlined. Real Yakuza and also their connections to the movie business are discussed, and many important actors and directors of the genres are interviewed. Former real yakuza boss turned actor Noboru Ando, Takashi Miike, Sonny Chiba and many more get a chance to speak.

Documentary about veteran character actor Dick Miller, whose career in and outside of Hollywood has spanned almost 200 films across six decades, featuring a diverse range of interviews with directors, co-stars, and contemporaries.

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

Animator. Storyman. Troublemaker. At 80 years old, see how Disney Legend Floyd Norman, the first African-American animator at Disney, continues to impact animation and stir up "trouble" after the company forced him to retire at age 65.

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.

Short documentary on the making of Henry Levin's Genghis Khan, which filmed on location in Yugoslavia. The final film's epic battle scenes are contrasted with the mundane reality of life on a film set.

When David Lynch was making his film Blue Velvet, German filmmaker Peter Braatz was also on set, shooting documentary footage with a Super 8 film camera. Now, on Blue Velvet's 30th anniversary, Braatz presents his footage, along with still photographs, as a "meditation" on Lynch's work.

The amazing story of Cifesa, a mythical film production company founded in Valencia by the Casanova family that managed to dominate the box office during the turbulent times of the Second Spanish Republic, the carnage of the Civil War and the hardships of the long post-war period and Franco's dictatorship — and survive until the sixties, when Spain was timidly beginning to change.

The cast and crew of Community reflect on creating the final season of the show.

Promotional documentary for the MGM film "Ice Station Zebra" focusing on the career and cinematographic innovations of cameraman John Stephens.

The first feature-length documentary that fully explores how the toxic social and political Canadian context after 1968 created some of the most nihilistic and imaginative Canadian cult films of the 1970s and 80s and beyond.

Hidden away at the end of Mulholland Drive, just north of Los Angeles, lies the Motion Picture & Television Fund. Its residents were once the backbone of American showbiz. The Fund gives them a home and new meaning in their old age. Still going strong in their own studio, they produce short films and pursue other creative projects. This documentary follows one such project from the first brainstorming session all the way to the premiere, revealing enduring dreams and hopes beyond the limelight — and lessons in life and love.

This video essay, featuring film scholar Leonard Leff, addresses the 1938 Alfred Hitchcock film The Lady Vanishes' British context and political underpinnings and the details and techniques that undeniably make it a 'Hitchcock picture.'