Hoaxed

A horse and cart carrying two nuns is stopped by two men with fixed bayonets.

¿Por qué morir en Madrid?

The award-winning film documents the amazing, true-life adventures of Billy Meier, the only proven UFO contactee.

During World War II, the propaganda engine of the U.S. government made a pivotal decision with unforeseeable results: they tapped John Huston to shoot war documentaries with an expressly patriotic spin. Few could guess the degree to which Huston's documentaries would depict the sheer brutality and horror of modern warfare - particularly his Let There Be Light and The Battle of San Pietro. The films served (by default) as cinematic protests, even as they graced new and brilliant heights within the scope of American documentary. (Indeed, Light was banned by the government for 35 years). Midge Mackenzie's 1998 documentary John Huston: War Stories explores this little known facet of Huston's career, intercutting clips from the various documentaries with a Huston interview shot just prior to his death.

This remarkable documentary dedicates itself to an extraordinary chapter of the second World War – the psychological warfare of the USA. America’s trusted cartoon darlings from the studios of Warner Bros., Paramount, and the “big animals” of the Disney family were supposed to give courage to the people at the homefront, to educate them, but also to simultaneously entertain them. Out of this mixture grew a genre of its own kind – political cartoons. Insightful Interviews with the animators and producers from back then elucidate in an amusing and astonishing way under which bizarre circumstances these films partially came into existence.

An educational film about power sources that’s rendered as a lyrical meditation on heat and vapor, The Four Elements is a poetic and avant-garde documentary Curtis Harrington made for the United States Information Agency.

A propaganda documentary on the post war reconstruction of Miensk, capital of Belarus.

A sweeping, cinematic pseudo-documentary history of human flight, starting with the failed attempt of Icarus, and ending with the aviation triumphs of the fascist regime.

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

The documentary tells two very different human fates in the 1920s Soviet Union. Nikolai Vavilov was a botanical genius, Trofim Lyssenko was an agronomist who made great promises and fake inventions. Each of them tried to solve the country's nutritional problem, but only one succeeded.

A collection of television celebrities pitch United States Savings bonds.

Compilation short film about the Communist Revolution and Soviet Union.

On October 20, 1967, Roger Patterson captured 60 seconds of film showing a creature walking through the Northern California woods—footage that became the most analyzed and debated in history. Fifty-seven years later, a reel of 16mm film discovered in a safe changes everything, revealing the untold story behind the world's greatest mystery, told for the first time by Patterson's own son and the people who were there.

Short movie by Marta Meszaros

Social democracy propaganda film about future dreams for Denmark in 1960. Although Denmark is free again, the former opponent and worker, Svend, is disillusioned: "It is all something soft". The dream of the future is incarnated by a young woman, Karen, who shows Svend the visions of a better life in the 'youth's land'. There are homes and a nuclear-powered car for everyone.

Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.

THE YES MEN FIX THE WORLD is a screwball true story about two gonzo political activists who, posing as top executives of giant corporations, lie their way into big business conferences and pull off the world's most outrageous pranks.

Contrasting radical mobs, anarchy, and 1960s counterculture with footage of American manufacturing and innovation, this film celebrates the concept of American exceptionalism and argues that anti-Vietnam War protesters were influenced by communism, atheism, and immorality. Set mostly in a university library, this political debate between a medical student, his 1770s ancestor, and a history professor is a sequel to the 1972 National Education Program film, Brink of Disaster! Two additional characters appear in this drama: a 19th-century steamboat captain, and the student’s grandfather - an early 20th-century automobile worker. The National Education Program at Harding College in Searcy, Arkansas created a variety of widely-distributed anti-communism films from the mid-1940s to the early 1970s.

A student is held up in the library while a riot rages outside. As SDS protesters head to burn the library down, he has to fend them off with his baseball bat. This film opens with actual footage of civil disturbances in the 1960s, and moves on to images of historical American figures.

The story of how newspapers were distributed during the Blitz, stressing the importance of an accurate and objective press on the home front.