Pale Mirrors

The story of this film is an aesthetic narration of the death of a Kurdish Family, along the 20th century.

In the winter of 1988, in the depths of the Iraq/Iran war, the border town of Halabja was attacked by chemical weapons with all its people and their different stories.

Three women, three wars, one dream. Lanja is a journalist in Iraq fearlessly fighting against honor violence. Maia in Abkhazia battles archaic customs like 'bride kidnapping'. Nelly runs a women's shelter in the slums of Monrovia, Liberia. A universal story of women's courage and survival in the aftermath of war.

After their father dies, a family of five children are forced to survive on their own in a Kurdish village on the border of Iran and Iraq.

Fatma and her mother are Kurdish refugees living in Italy. One day at the hospital, Fatma learns her mother has breast cancer.

Sivan Encü, a young Kurdish man, provided for his family by "smuggling" through the Turkish-Iraqi border. When he was murdered in the 2011 Robozik (Roboski) Massacre, the responsibility of family's welfare was taken over by his younger brother Sinan, who lost his life in an unfortunate accident. This is the story of their grief-stricken mother Heyam and her resilience. Alongside Heyam's struggle, the film brings the voices of Robozik elders and notables to the forefront, who have experienced first-hand the social, political and economic dimensions of smuggling, which has been the backbone of survival for the locals for many generations.

Elaha, 22, believes she must restore her supposed innocence before she weds. A surgeon could reconstruct her hymen but she cannot afford such an operation. She asks herself: why does she have to be a virgin anyway, and for whom?

The Kurdish Iraqi poet and actor Zeravan Khalil travels with his dog through an Alpine gorge after fleeing from IS war and genocide. As he remembers the abomination, he writes a poem with the title “You drive me mad” in Kurmanji Kurdish. In his home country, Yazidic Kurds are forbidden to work in his profession. Then he eats his apple and wanders through Europe’s middle with more hope.

A Kurdish woman as a suspect of terrorism: the exciting political thriller deeply depicts the racist surveillance system in Turkey. The young Kurdish woman Arjin is under surveillance by the Turkish intelligence service. Her offense: She housed another Kurdish woman for one night, who then disappeared without a trace. Every step of Arjin and her friend Sidar is monitored from now on. When Ramo, a secret service worker of Kurdish origin, claims to have found evidence that Arjin and Sidar are involved in the planning of a suicide bombing in Istanbul, the ugly face of the Turkish government is uncovered.

Ali, a Kurdish refugee, travels to Athens in search of his missing brother. He discovers that his brother paid to be smuggled into Italy but then disappeared, so Ali tries to find his brother and get his way into Italy.

Kurdish-Iranian poet Sahel has just been released from a thirty-year prison sentence in Iran. Now the one thing keeping him going is the thought of finding his wife, who thinks he's been dead for over twenty years.

The story of two youngster girls who became the victims of female genital mutilation.

In the 1990s, some newspapers were not allowed to enter the Diyarbakir region, under a state of emergency at that time, although they were legal. Children like Bawer and Hebûn, who were part of the distribution group, would secretly collect these newspapers from outside the city at a previously agreed location and take them to the planned meeting place in the city. There, the children changed their clothes and went out to distribute them, under the guise of other work. But they were constantly followed by those who saw the newspaper as dangerous and wanted to prevent its dissemination. Çerx is a testament to the conditions under which these newspapers were distributed to readers and the difficulties encountered.

The story of a Kurdish newspaper whose journalists are under the constant threat of being abducted and killed by the state security forces.

Through a series of vignettes from the ancient and war-torn Levant, WILD IS THE SPRING captures moments in the lives of diverse ethnic communities who struggle to survive when life descends into chaos.

Two village boys are very sick, they are foaming at the mouth, they are sitting near a huge well and they hate each other.

KÖY (Turkish for village) is about the longing for home, for belonging and the freedom of the self. Three women from three generations are united by their Kurdish roots.

When his friends introduce him to a pretty girl, Aras falls in love with her and wants to propose to her.

A priceless tablet of Gilgamesh, the oldest and most important work of literature is stolen from a museum. A security guard vows to do whatever it takes to get it back from a group of smugglers. Along the way, he faces his own inner demons.

“Binxet – Under the border” is a journey between life and death, dignity and pain, struggle and freedom. It takes place along the 911 km of the turkish-Syrian border. On the one hand the ISIS, in the other Erdogan’s Turkey. In the middle the borders and one hope. This hope is called Rojava, only one point on the chart of a troubled region, a region of resistance and an example of grassroots democracy that speaks about gender equality, self-determination of peoples and peaceful coexistence.