I Was Born in Mexico, But...

Carmela, don Gregorio, Gabriella and Lorella have never met but they have a lot in common. In the mid 60's, at the peak of the great migratory wave, alone or together with their families, they arrived in Switzerland, where they lived for a more or less lengthy period. Four different stories that speak of hopes, dreams, and solidarity. But they also tell of closure, xenophobia, clandestinity and exploitation.

Advances in science and technology in America depend heavily on high-skilled legal immigrants from across the globe. But our current immigration system takes an inhumane, unfair, and unwise approach toward these immigrants and their families. ALIEN exposes the human toll of America’s dependence on high-skilled legal immigrants and how the Indian immigrant community bears the heaviest burden. ALIEN intimately follows five Indian high-skilled immigrants and their families as they build lives and families in this country in an uphill battle toward their American Dream.

Artistic director of the National Theater Eric de Vroedt writes and directs a performance about his own mother Winnie, who passed away in 2020. This piece, titled The Century of My Mother, is a family story about the migration from the Dutch East Indies to the Netherlands. It is De Vroedt's way of examining the relationship with his mother and not having to say goodbye to her yet: 'I can let her live on stage, but when the curtain falls, when the play is completely finished, then she is really dead'.

This film tells a story of ethnic Koreans from Russia and the post-Soviet territories making their new home in New York City. The history of the diaspora is told through conversations with Lidiya Kan’s mother, personal stories, fragmented memories, and her family photo archive. An important character of the film is Morkovcha, the Korean carrot salad, an invention of the Russian Korean diaspora; its essence is symbolic of their mixed identity.

Boys on Film presents ten encounters from across the globe, where the dangerous allure of a risky attraction yields emotional results — proving that the age-old adage of taking the plunge is as relevant — and sexy — as ever before. The 10 short films are: My Uncle's Friend [O Amigo do Meu Tio] (2021); Budapest, Closed City [Budapest, zárt város] (2021); Eden (2020); Chaperone (2022); Break Me [Knus meg] (2018); By His Will [שעשני כרצונו] (2021); Red Ants Bite (2019); Jim (2022); Hornbeam (2022); Too Rough (2022).

My name is Ion. Who could have imagined the fate that awaited me: my birth under the Romanian dictatorship, the loss of my eyesight through an accident, my sudden escape from my homeland to seek a future that was a little too idyllic? One thing is certain: fate is like all the criminals that I listen to today for the Belgian federal police. With a little willpower, there is always a way to dodge its tricks. The person who taught me that is a close and loyal childhood friend. That friend is literature. Without her, I probably would not be what I am now, here, among you.

Looks at the United States as it becomes an increasingly diverse nation. Tracing the history of significant changes in the Immigration and Nationality Act beginning in 1965, this program introduces a dramatic vision of a multi-cultural America where people of color are the new majority. The feelings and stories of ordinary people are featured in everyday context in six cities across the county. Interviews with residents of Chicago, Houston, Philadelphia, Miami and several other places probe the changing relationships between newcomers and established residents.

Young people who decide to leave their home to seek opportunities for the future face different difficulties on a daily basis. The inevitable estrangement with family and lifelong friends. The constant lack of understanding, the coldness and individualism of the new city. The stress and even the feeling of being a stranger back home. This journey to the future sets out issues about identity, nostalgia and courage, while they fight to find their place in a changeable world.

One million people legally cross the U.S.-Mexico border every day in both directions. Among them are women from Ciudad Juárez who cross to give birth in El Paso, Texas. Even with visas that allow them to cross, their journeys are uncertain. Gaby and Luisa, two women from Ciudad Juárez, cross legally into El Paso, Texas, in order to give birth. Two Chicana midwives in El Paso, Lina and Sandra, support the women who cross. After living through the extreme violence that engulfed Ciudad Juárez from 2008-2012 and with the looming threat of obstetrical violence in Mexican hospitals, Gaby and Luisa choose to cross, seeking a safer future for their children and the opportunity for natural childbirth with midwives. They risk losing their visas, getting turned back, and harassment at the hands of U.S. Border Patrol. Against the backdrop of oppressive U.S. border policy, these women's stories of risk and resilience reveal the complexities of life on the U.S.-Mexico border.

In this tale of labor and family that shines a light on the precarity of temporary work visas, Raymundo Morales leads a crew of workers who have to make the challenging decision to leave their families in rural Mexico to plant commercial pine forests in the United States.

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

Twenty-five films from twenty-five European countries by twenty-five European directors.

A short documentary that follows Korean grandparents as they share their modern-day reckoning of their immigration story and grandparenthood.

Les cèdres du Liban

The little-known story of Ukrainian children torn from their homes in the crush between the Nazi and Soviet fronts in World War II. Spending their childhood as refugees in Europe, these inspiring individuals later immigrated to the United States, creating new homes and communities through their grit, faith and deep belief in the importance of preserving culture.

Documentary about sub-Saharan immigration in Spain and Argentina focusing especially on the Senegalese community

In northern Morocco lies the Spanish enclave of Melilla: Europe on African Land. On the mountain above live over a thousand hopeful African migrants, watching the land border, a fence system separating Morocco and Spain. Abou from Mali is one of them – the protagonist in front of the camera, as well as the person behind it. For over a year, he has ceaselessly persisted in attempting to jump the fence.

Young migrants from Afghanistan, Cameroon, Serbia and Venezuela attend a Swiss integration class where they learn a new language and prepare for employment.

UNACCOMPANIED: Alone in America shows the incredible obstacles young unaccompanied children face when they appear alone, without a lawyer, in immigration proceedings. Help support Immigration Counseling Service, a 501(c)3 non-profit, in its efforts to provide legal representation for every child. Because there is no such thing as other people's children...

Why don't we do something to ease the suffering of the poor, the excluded? Because we live in fear of "the other," the stranger. Filmed a few months before the 2004 presidential election, On the Road with Mary is a gripping view of an America living in fear. From a miserable neighbourhood in Detroit ravaged by crack and violence, to the militarized border with Mexico, this potent road movie exposes the unbearable other side of the American Dream.