Francisco de Goya: The Dream of Reason

Cocottes et courtisanes dans l’œil des peintres

Alongside Rembrandt and Vermeer, Frans Hals was one of the key figures in 17th century Dutch art. But unlike his contemporaries, who tended to paint gloomy or pensive pictures, Hals was entirely devoted to joy. He painted people who could barely conceal their zest for life - at a time when it was frowned upon to show teeth.

From 1853, Japan opens up to the West. Numerous works of art and woodcuts find their way to Europe. The Impressionists and later the European artistic avant-garde succumb to this one passion: Japonism. 150 years after the beginning of the Meiji period in 1868, the film traces the connections between Japan and the Western world.

A documentary about the "The Mystic Lamb" painted at the beginning of the 15th century by the Van Eyck brothers.

Mircea Eliade was a traditionalist Romanian novelist and philosopher. Following the disaster of the Second World War, he moved to Paris and Chicago, becoming a respected and influential historian of religions. He acquired something of the status of a guru, as poignantly told in the 1987 documentary Mircea Eliade et la redécouverte du sacré. The film features interviews with Eliade at the end of his life, artfully spliced with cuts to religious imagery on a background of moving spiritual music. It was released in 1987, the year after his death.

Raffael – Ein sterblicher Gott

Documentary in which art critic Waldemar Januszczak argues that beauty is still to be found in modern art, despite several recent books claiming the contrary.

'Figure I' uses a feminist perspective to frame and deconstruct patriarchal techniques of control. This film asks: how was a patriarchal gaze construct-ed, and how has it come to effect biological processes? How have specific tools (like Dürer's Grid) come to shape our technological present and possible futures? Are modern Western scientif-ic/mathematic/technological/medical structures rooted in extractive patriarchal philosophies? 'Figure 1' is composed of re-drawn illustrations of allegorical art historical paintings and etchings, alongside archival footage, Obstetric photography, and rotoscoped animation.

Joe Brainard (1941-1994) was an artist particularly noted for his work in collage and comics. Brainard’s artistic career took off during his teenaged years in Tulsa, Oklahoma where, along with Ron Padgett and Dick Gallup, he produced The White Dove Review, an art and culture magazine. Both Brainard and Padgett serendipitously moved together to New York City, where Brainard was a prolific artist whose work was showcased in varied spaces such as the Museum of Modern Art and the Whitney Museum. He also frequently collaborated with members of the New York School of Poets, supplying book and cover art and bringing to life visual representations of poetry. Brainard’s writing also received acclaim, particularly his 1975 memoir I Remember.

Joe Brainard (1941-1994) was an artist particularly noted for his work in collage and comics. Brainard’s artistic career took off during his teenaged years in Tulsa, Oklahoma where, along with Ron Padgett and Dick Gallup, he produced The White Dove Review, an art and culture magazine. Both Brainard and Padgett serendipitously moved together to New York City, where Brainard was a prolific artist whose work was showcased in varied spaces such as the Museum of Modern Art and the Whitney Museum. He also frequently collaborated with members of the New York School of Poets, supplying book and cover art and bringing to life visual representations of poetry. Brainard’s writing also received acclaim, particularly his 1975 memoir I Remember.

Le monde dans un tableau - Le chapeau de Vermeer

There is an interlinking history of violent European colonialism and the cultural legacy of ethnographic collections in institutions. This documentary traces the progression of colonial history from the Berlin Conference of 1884-85 to the systematic elimination of cultural traditions, religions and lifeways which would occur sporadically through genocides and warfare until the early 20th century throughout the African continent—surveying the inquiries and movements for historical justice, the relationships between European institutions and colonial violence and following enduring struggles against these organisations to regain what was taken.

The passionate story of the femme fatale, seductive and dangerous, a myth and a fantasy, through her representation in art.

French writer Jean-Claude Carrière (1931-2021) traces the life and work of Spanish painter Francisco de Goya (1746-1828).

This made-for-TV documentary introduces the layperson to concepts and technologies that were emerging in computer interface design in the late 1980s and early 1990s: hypertext, multimedia, virtual assistants, interactive video, 3D animation, and virtual reality.

Tim Jenison, a Texas based inventor, attempts to solve one of the greatest mysteries in all art: How did Dutch Master Johannes Vermeer manage to paint so photo-realistically 150 years before the invention of photography? Spanning a decade, Jenison's adventure takes him to Holland, on a pilgrimage to the North coast of Yorkshire to meet artista David Hockney, and eventually even to Buckingham Palace. The epic research project Jenison embarques on is as extraordinary as what he discovers.

Art historian Alastair Sooke traces the humanization of the Devil figure in medieval art from the tenth to the fourteenth centuries.

Michael Palin travels to France in search of the Mediterranean view on his wall, captured by his favourite artist, Scottish painter Anne Redpath. He travels from a London bank, via a chateau in Cap Ferrat and a monastery in Edinburgh.

Caravage - Dans la splendeur des ombres

Les génies de la grotte chauvet