BLIND_CITY

Short film about the 400th anniversary of Augsburg, Germany

Documentary about the Protestant Church

Short film about Indian people

A young city girl explores the idea of beauty with her uncle Michel, a retired farmer from the Beauce region. An amusing and touching encounter between two visions of art and the world.

This third opus will take us into the homes of some of the Adamant and Averroes & Rosa Parks’ protagonists, during the visits led by their caregivers.

Hundreds of thousands − perhaps even millions − of protestors have taken to the streets of Hong Kong since early June. Sparked initially by the government's plans for a controversial extradition bill, the movement has now transformed into a broader push for greater freedoms and democracy, with anger over police brutality fuelling a cycle of violence. The protests are Hong Kong's biggest challenge to Beijing since its return to China in 1997. If We Burn looks at the movement through the eyes of Hong Kongers whose fates, like their city's future, now hang in the balance.

An exploration of the 'respectable' and 'immoral' stereotypes of women in Indian society told from the point of view of two striptease dancers in a Bombay cabaret.

The story was born from the pen of debutante Callie Khouri: Thelma, married to a macho man, and Louise, an independent waitress, go on a girls' getaway that turns into a runaway when the latter, during a stopover in a bar, shoots a man who was trying to rape her friend. But at the dawn of the 1990s, screens were dominated by testosterone-fueled opuses, and Hollywood studios were reluctant to entrust the steering wheel to a female duo. Seduced by the script, forwarded by his associate Mimi Polk, Ridley Scott agreed to produce the film and decided, against all odds, to direct it himself. Under the British director's watch, the two accidental outlaws, fabulously portrayed by Susan Sarandon and Geena Davis, flee across the vastness of the Far West on an emancipatory epic that sees them defy male oppression and reveal themselves to themselves.

To celebrate the release of a new movie for their 20th anniversary, this documentary offers some behind-the-scenes footages.

Students from nine nations unite on August 7, 1950 at the Franco-German border near Germanshof, tear down the barriers and remove the border posts and barriers, which they burn in a ceremony. This act is a commitment to Europe and a protest against the arbitrariness of borders between nations.

A film about problems in providing the population with housing that meets their needs. Affected citizens and representatives of the responsible state institutions give their views.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Somi is pregnant with her second child. A girl, she hopes. Together with her husband she prepares for this new phase of their parenthood. It means that their son has to go to school, but as an ex-Naxalite that is tough to achieve in contemporary India, where people like them are third-rate citizens. They lack the certificates and an opaque bureaucratic process doesn't help. Directors Isabella Rinaldi, Cristina Hanes and Arya Rothe of the NoCut Film Collective concentrate on Somi's close family ties, painting a portrait of ex-Naxalites in India. Once, Somi and her husband were communist rebels fighting for the rights of Indian tribes. However, to safeguard their family's welfare, they surrendered to the government in exchange for marginal compensation and simple accommodation.

The film shows the various stages of the Stahlhelm's integration into the NSDAP and the Third Reich.

A film about the Nuremberg Party Congress of the NSDAP in 1929.

The Tsar visits the Russian embassy

A reportage cross-cutting film about the development of Africa from 1900-1936, using archive footage and film material from earlier African expeditions.

Short film about seals, the hunt for them and how they are processed afterwards.

Journalist Émilie Tran Nguyen invites the viewer to follow her in her quest and discover, at the same time as her, the historical origins of this anti-Asian racism. Told in the first person, alternating archive images, interviews with historians, sociologists and field sequences, this film traces the making of prejudices in the French imagination and pop culture, to twist the neck of stereotypes, deconstruct and act.

How the Monuments Came Down is a timely and searing look at the history of white supremacy and Black resistance in Richmond. The feature-length film-brought to life by history-makers, descendants, scholars, and activists-reveals how monuments to Confederate leaders stood for more than a century, and why they fell.