A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
A documentary on the life of the youth in post-Independence India.
Luttes intimes
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.
A fictional documentary that portrays the city of Dakar, Senegal, as we hear the conversation between a Senegalese man (the director, Djibril Diop Mambéty) and a French woman, Inge Hirschnitz. As we travel through the city in a picturesque horse drawn wagon, we chaotically rush into this and that popular neighborhood of the capital, discovering contrast after contrast: A small African community waiting at the Church's door, Muslims praying on the sidewalk, the Rococo architecture of the Government buildings, the modest stores of the craftsmen near the main market.
Somi is pregnant with her second child. A girl, she hopes. Together with her husband she prepares for this new phase of their parenthood. It means that their son has to go to school, but as an ex-Naxalite that is tough to achieve in contemporary India, where people like them are third-rate citizens. They lack the certificates and an opaque bureaucratic process doesn't help. Directors Isabella Rinaldi, Cristina Hanes and Arya Rothe of the NoCut Film Collective concentrate on Somi's close family ties, painting a portrait of ex-Naxalites in India. Once, Somi and her husband were communist rebels fighting for the rights of Indian tribes. However, to safeguard their family's welfare, they surrendered to the government in exchange for marginal compensation and simple accommodation.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
The first film in what would ultimately become Zilnik’s famed Kenedi trilogy follows street hustler Kenedi Hasani and his friend as they roam the streets of Serbia seeking Kenedi’s parents. Kenedi Goes Back Home is Zilnik’s account of the Roma people who were forced to flee from the war in the Balkans to Germany in the 1990s and who, ten years later, are forced against their will to return to Serbia. Zilnik shows the immigrants' lives in relation to the prevailing ideology shaped today by the borders between rich and poor and by the often-racist selection process that determines who will be accepted into Western Europe. In presenting the dilemmas and identifying the crises these people face, he appeals for a solution.
Over one thousand people have been charged with storming the United States Capitol on January 6, 2021, as part of a widely televised insurrection attempt. Approximately 15% of them worked as police or military personnel. This staggering statistic begs an important question: how can a service member who took an oath to protect the country’s democracy do something that puts that very democracy in jeopardy?
Down the gangway, photographers leave the deck of a riverboat in large numbers.
A journey around Norway to seek out regular drug users of the country and tell their untold stories about drug use and discrimination.
In a photograph among journalists, writers, academics and artists was a controversial president of Mexico and the unusual guest who owes the name of this story.
A journey into the heart of America's past and future. The story revolving around the mysterious woman, overlooked by historians, who had a profound influence on George Washington, his vision for America, and its independence – a vision that can deeply influence the nation’s present need for healing and unity.
These children live in the four corners of the earth, but share the same thirst for learning. They understand that only education will allow them a better future and that is why, every day, they must set out on the long and perilous journey that will lead them to knowledge. Jackson and his younger sister from Kenya walk 15 kilometres each way through a savannah populated by wild animals; Carlito rides more than 18 kilometres twice a day with his younger sister, across the plains of Argentina; Zahira lives in the Moroccan Atlas Mountains who has an exhausting 22 kilometres walk along punishing mountain paths before she reaches her boarding school; Samuel from India sits in a clumsy DIY wheelchair and the 4 kilometres journey is an ordeal each day, as his two younger brothers have to push him all the way to school…
The former talk show host speaks out from behind the glass at an assisted living facility where a restrictive guardianship has made her a 'prisoner.'
A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
10 May 2007 - China's staggering economic growth has overshadowed a more subtle shift in Chinese society. In domestic life, many women are now ignore the advice of their mothers and grandmothers, turning instead to counselling hotlines and, increasingly, divorce.
Mediocre
A Black American is troubled by the legacy of American slavery and the misuse of Christianity to justify it. He travels throughout Texas discovering how the Juneteenth reveals faith and a fight for freedom in an unjust society.