Short film produced by the BBC about JG Ballard's Crash. “The film was a product of the most experimental, darkest phase of Ballard’s career. It was an era of psychological blowback from the sudden, shocking death of his wife in 1964, an era that had produced the cut-up ‘condensed novels’ of Atrocity plus a series of strange collages and ‘advertisers’ announcements. After Freud’s exploration within the psyche it is now the outer world of reality which must be quantified and eroticised. Later there were further literary experiments, concrete poems and ‘impressionistic’ film reviews, and an aborted multimedia theatrical play based around car crashes. After that came an actual gallery exhibition of crashed cars, replete with strippers and the drunken destruction of the ‘exhibits’ by an enraged audience.” (from: http://aaaaaaaaaaaaaaaaaaaargh.blogspot.de/2013/01/short-film-adaptation-of-jg-ballards.html)
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
Wax and wane until there is naught but boring pain.
Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive
A divorced journalist Marko Požgaj starts his working day by taking his son to the school. During the day many thoughts and images pass through his mind - the memories of childhood, ex-wife, current girlfriend, but mostly his father who died in a war.
An experimental film about peaceful and carefree life in a small Dalmatian town, which turns into bloodshed and horror on the Eve of Italian occupation of the country.
This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...
A young man experiences his last few minutes of singular consciousness while examining a wild falcon he has studied for months.
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
In the nineteenth century, a French adventurer sets off to establish a kingdom in the inhospitable South of Chile, uniting the feared Mapuche under him. The response of the Chilean army is devastating.
A self-portrait short film on 16mm from a trans male perspective.
Miguel, a debutant director, and his young team live a series of tribulations during the shootings of their first film, which unrolls between Lisbon, Venice, Paris and Madrid.
Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic. (from bfi.org.uk)
In the final days of the American Civil War, an emigre Hungarian military officer attempts to map the situation of the enemy. Many veterans of the 1848 War of Independence in Hungary fought on the northern side. Experienced Fiala, Boldogh who struggles with homesickness and the reckless Vereczky all experience their enforced emigration in different ways and news of impending peace elicits different reactions from them all.
The Focus is the film about easy death on the Mediterranean sun.
Colossal explores the complexities of grief and the process of grieving as understood through the myth of a Man as he ventures through shifting landscapes ruminating.
A boy who finished school and spends time at home, between routine and sleep, during the COVID-19 pandemic.
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.
A bereaved epileptic ditches her pills and follows a mysterious woman to the outskirts of her town, where she slips back into the fearsome yet ecstatic throes of the seizure.