Taiwan: The Face of Free China

Ukraine in Flames is a documentary produced by Oliver Stone that reveals American and NATO participation in the 2014 coup d'état in Ukraine and its aftermath. The renowned American director, who in recent years has made several productions within the genre of political cinema, investigates the origins of the current conflict that currently keeps the entire European continent and the entire planet in suspense. In the film, Stone interviews, among others, the former president of Ukraine, Víktor Yanukovych; Russian President Vladimir Putin and former Ukrainian Interior Minister Vitali Zajarchenko.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.

Robert Mitchum narrates an anti drug propaganda film.

Data—arguably the world’s most valuable asset—is being weaponized to wage cultural and political wars. The dark world of data exploitation is uncovered through the unpredictable, personal journeys of players on different sides of the explosive Cambridge Analytica/Facebook data story.

Holocaust survivors, children of survivors, and grandchildren - as well as German freedom fighters - express their shock at the Covid era's fear-mongering and divisive dictates that are reminiscent of the prelude to the Holocaust. This ambitious five-part docu-series is the brainchild of Holocaust survivor and human rights activist Vera Sharav.

Dr. Steven Greer presents brand new top-secret evidence supporting extraterrestrial contact, including witness testimony, classified documents, and UFO footage, while also exploring the consequences of ruthlessly enforcing such secrecy.

In the name of the struggle against terrorism, a special operation - code named CONDOR - was conducted in the 1970s and '80s in South America. Its target were left-wing political dissidents, the organized labor and intellectuals. Condor soon became a network of military dictatorships supported by the U.S. State Department, the CIA, and Interpol.

Vietnam 1967: Military intelligence has collapsed, Viet Cong have infiltrated the clandestine American spy network, and the U.S. can't rely on the South Vietnamese. John Murphy, then an elite adviser, analyst, and operative for the Army, CIA, and South Vietnamese intelligence services, reveals the gray areas of critical, on-the-ground intelligence work, where trust is hard-won and easily lost.

When this propaganda film begins the narrator states that before the beginning of World War II, Japan was the only one of thirty-five nations to refuse to sign an anti-narcotics treaty and alleges that this was because the country's leaders planned to use drugs as a weapon of war.

The true story of the massacre of a small Czech village by the Nazis is retold as if it happened in Wales.

A powerful three-part documentary studying the US involvement in Guatemala, El Salvador and Nicaragua. The differing factions - Sandinista leaders, Guatemalan campesinos, CIA operatives, Contras and US government apologists - are interviewed and, in the absence of a controlling narration, the audience is encouraged to draw its own conclusions.

It was the biggest escape in the history of the Berlin Wall: in one historic night of October 1964, 57 East-Berliners try their luck through a tunnel into West Berlin. Just before the last few reach the other side, the East German border guards notice the escape and open fire. Remarkably, all the refugees and their escape agents make it out of the tunnel unscathed, but one border guard is dead: 21-year-old officer Egon Schultz.

This color educational film is about Anti-Vietnam Protestors in Washington D.C. during late April/Early May 1971. The 1971 May Day Protests were a series of large-scale civil disobedience actions in Washington, D.C., in protest against the Vietnam War. This was made in 1971 by the Metropolitan Police Department.

This program illustrates how video activists have developed sophisticated use of small format video, with poetic and powerful imagery, complex mixes of sounds and scores and an effective editing style that belies the urgency under which it is being made. The video movement in Taiwan has made successful use of home cassette distribution, via both mail and street vendors. The Green Team collective has pioneered in this effort with over 100 titles in distribution, documenting the struggles of farmers, students, workers and environmentalists.

As dawn breaks over Taipei, a whole world comes to life around the Luzhou temple night market, only to be dismantled by sunrise. In COME HUNGRY, Oscar-winner Carol Dysinger creates a city symphony out of the rhythms, sounds, colors, and flavors of this ephemeral community that revolves around Taiwanese food, traditions, and identity.

This short film, produced at the end of WWII, warns that although Adolf Hitler is dead, his ideas live on.

Oscar winning postwar propaganda film in support of the United Nations Relief and Rehabilitation Administration. Strident but poignant, focusing on children. The film surveys the Nazi/Japanese atrocities, post-war devastation and the early relief efforts. This film was responsible for raising over $200,000,000, making it a top moneymaking film. Preserved by the Academy Film Archive in 2005.

This film follows the lives of undocumented Vietnamese workers in Taiwan doing odd jobs to survive, after having been forced to flee their employers due to harsh working conditions and lack of medical care. How will living this way for more than a decade shape their lives?