Národní museum

A video-letter to Thomas Hoving, former director of the Metropolitan Museum of Art in New York and author of the unforgivable "Art for Dummies".

The history of one of the most famous ships in the world – from construction, maiden voyage and claim on the coveted Blue Riband, to the Second World War and the post-war ‘golden age’. Featuring high quality archive sequences and exclusive interviews. More recent footage of the ship as she is today completes the fascinating story.

The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.

Aapje Aram

Tváře času

Commentator-comic Bill Maher plays devil's advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ's existence, Jewish Sabbath laws, violent Muslim extremists.

This documentary delves into the history behind the Wellington New Zealand based private LOTR Fan museum, run by Kathy. It plays on request at the museum.

A manufactured memory.

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

As part of a high-tech forensic probe into the demise of Egyptian Pharaoh Tutankhamun, scientists use X-rays and CT scans as they attempt to reach a conclusion about just how this famed king died. In addition, they explore the mysterious curse on explorers linked to Tut's tomb excavation.

At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

An extraordinary voyage of discovery to see the most impressive collection of works of art built up over two thousand years of history. VATICAN MUSEUMS 3D, a SKY production in collaboration with the Vatican Museums Directorate, for the very first time brings Ultra HD 4K/3D film cameras inside the Vatican Museums and the Sistine Chapel, to show the masterpieces in these collections as they have never been seen before.

"The Last Dragon" is a nature mockumentary about a British scientific team that attempts to understand the unique incredible beasts that have fascinated people for ages. CGI is used to create the dragons.

Marepe, an artist from Bahia, produces art with anything he comes across in the town he lives in, Santo Antônio de Jesus. Packs of cigarettes, coconut palms, walls, and memories taken from the streets, go into putting together a personal archeology for this young artist.

The ninth opus of his Walker Films series, which was shot at Centre Pompidou.

A septuagenarian woman from St. Louis, Missouri has been a miniaturist, businesswoman, museum president, Girl Scout leader, teacher, student, mother, daughter, and most of all, an indomitable human spirit. Life is what you make it.

A single channel video featuring the American artist Andrea Fraser as she walks around the atrium of the Guggenheim Bilbao listening to the institution’s audio guide. After an initial shot of the entrance, the video shows Fraser wearing a short green dress and high heels picking up an audio guide inside. Once she begins listening to the guide the soundtrack changes so that the viewer also hears the same male voice as the artist (and without any background noise). Shot with five hidden cameras – one on Fraser herself and four others operated by assistants moving around the atrium – Little Frank and His Carp depicts Fraser from varying angles and proximities as she initially follows the audio guide’s instructions closely, her emotions visibly changing in response to the material she hears. Told that modern art is ‘demanding, complicated, bewildering’, she appears anxious, but when the guide tells her ‘the museum tries to make you feel at home’, she immediately seems reassured and happy.

Vaciar el museo

For over 30 years a man termed as a mad man, comes to light as his passionate work of collecting artifacts gathers momentum and gains the title of a museum. The film trails through the struggles of Victor Hugo Gomes, a Collector from India-Goa, and how he perceives to leave behind his collection.