Marc Chagall was an artist caught between two worlds, between traditional art and modernism, figuration and abstraction. The film accompanies him on an important stage of his life from 1910 to 1930, between Paris and Vitebsk. Chagall's home town was a laboratory for the artistic avant-garde in Belarus, while Paris was the center of modern art movements.
El cine mexicano de fiesta
The epic life of a world-class artist, jammed into six minutes.
Aleksander Sokurov brings the treasures of the Hermitage back into the light by making films about artists and their paintings. He has chosen the painter Hubert Robert, who spent a long time in Italy, and whose preference was for creating ancient ruined landscapes and naturalistic portrayals of times past. He was successful with the wealthy, who bought his works from him. The camera pans across the paintings while Sokurov speaks of a happy era, when the artist was at one with the spirit of the times, and agreed with the taste of his clients. Just how far removed from us this is, is shown by pictures of a "Nô" performance which are inter-cut on the screen. No words are necessary to describe what everybody knows today.
A Landscape documentary about the silent voids the living inhabit after everyone they love has gone.
After a difficult break-up, Hockney is left unable to paint, much to the concern of his friends.
The history of art in Ethiopia. The film emphasizes the styles, materials, etc. ofpaintings on walls and roofs of ancient churche
In 1988, art student Damien Hirst and a group of like-minded associates mounted an exhibition in a building in the East End of London. Entitled Freeze, it was a huge critical and commercial success, propelling Hirst and the group into the spotlight of the avant-garde. More than five years later, Hirst exhibits to international acclaim and is regularly derided in the tabloid press. This portrait of Hirst, which resumes the Omnibus season, is presented as a drug-induced nightmare after Hirst has been put to sleep by a sinister dentist, played by Donald Pleasence. In between interviews with fellow Freeze artists including Angus Fairhurst , Sarah Lucas and Tracey Emin , Hirst is seen preparing Mother and Child Divided, his work for last year's Venice Blennale. The piece consists of a cow and a calf, each sawn in half, pickled in formaldehyde and exhibited in four tanks.
Artist Taylor Denise sets out to make her first painting, which also happens to be her largest work to-date. As she embarks on this creative process of making shit because it looks cool, she's met with comradery, debauchery, and people's brains interrupting art whatever way they want to-ery.
Lyonel Feininger's work is as individual and unmistakable as he is himself. As a classical modernist artist, he is difficult to categorize. He lived and worked in Germany for a long time. He began his career as a caricaturist, later became known as a painter and headed the printing workshops at the Bauhaus. His work cannot be classified as cubism or expressionism. The film visits places that inspired him, such as Paris, the villages around Weimar and, above all, the Baltic coast - many of which are reflected in Feininger's work and make the development of his oeuvre comprehensible.
After the untimely death of his 35-year old brother, an artist explores the questions that surfaced from grief by painting 365 paintings and to spur conversation in culture.
One Name. Two World Champions. In 1996, Damon Hill claimed the Formula 1 World Championship. In doing so he cemented his place in motorsport history, following in the footsteps of his legendary father, Graham Hill. This is a unique family story set against the backdrop of the fastest sport in the world. How Damon Hill defied the odds and overcame tragedy to step out of his father’s shadow and become a racing legend in his own right. Hill is directed by BAFTA-nominated filmmaker Alex Holmes (Maiden, The Rig) and produced by Simon Lazenby & Victoria Barrell of Sylver Entertainment (McEnroe, Schmeichel) and Cora Palfrey & Luc Roeg of Independent Entertainment (Lewis Capaldi: How I’m Feeling Now, My Policeman).
Artists, urban planners and the city of Berlin trying to transform a former GDR ruin into a place for new visions and concepts of city - a place where everything is different than before?
Raj Kapoor, the film maker and actor became a legend in his lifetime. Head of one of the last great studios on the Indian sub-continent and creator of a film-making empire for nearly half a century. Woven into the texture of this 70-minute film, part personal narrative, part rare visuals, part cinema footage, is the picture of a man who straddled the Indian cinematic world for nearly half a century like a colossus.
William Kentridge and Marlene Dumas – two of the most celebrated names in international contemporary art – come face to face in a series of frank, witty and intense discussions about their work and practice. The film follows them from the gentle ambience of a dinner conversation, to their studios – where we are given insight into the way that each artist works – to some of their finished works and installations. What emerges is how very differently these two highly successful South African artists approach image making. Dumas’ method is deeply intuitive – she often works on the floor as though embracing her paintings, pouring and dabbing paint to produce her remarkable portraits. Kentridge is intensely systematic, alternating gestural mark making with the repetitive action of drawing-filming-erasing for his animated films.
The pride of Napoleon's victories, the Arc de Triomphe, whose first stone was laid in 1806 at the top of the Champs-Élysées, is, along with the Eiffel Tower, one of the most visited monuments in the French capital. Wanted by an emperor, inaugurated under the reign of a king (Louis-Philippe) and sanctuarized by the Republic, this patriotic temple polarizes the passions of a whole nation. A historical portrait before "packaging", which teems with anecdotes and unsuspected details.
Namibia: A Change of Perspective
Monet, Cezanne, Degas, Renoir: some of the world’s most popular artists. Their works, and that of their contemporaries, fetch tens of millions of dollars around the globe. But who were they really? Why & how exactly did they paint? What lies behind their enduring appeal? To help answer these questions, this unique film secured unparalleled access to a major exhibition focussing on the man credited with inventing impressionism as we know it: 19th-century Parisian art collector Paul Durand-Ruel. This eagerly anticipated international exhibition is possibly the most comprehensive exploration of the Impressionists in history.
Shot shortly before and after the 2024 presidential election, 15 different people answer one question, "What will the United States be like in 10 years?"
African Underground: Democracy in Dakar is a groundbreaking documentary film about hip-hop youth and politics in Dakar Senegal. The film follows rappers, DJs, journalists, professors and people on the street at the time before, during and after the controversial 2007 presidential election in Senegal and examines hip-hop’s role on the political process. Originally shot as a seven part documentary mini-series released via the internet – the documentary bridges the gap between hip-hop activism, video journalism and documentary film and explores the role of youth and musical activism on the political process.