Aimé Césaire, un Nègre fondamental

Many geneticists and archaeologists have long surmised that human life began in Africa. Dr. Spencer Wells, one of a group of scientists studying the origin of human life, offers evidence and theories to support such a thesis in this PBS special. He claims that Africa was populated by only a few thousand people that some deserted their homeland in a conquest that has resulted in global domination.

Shot with stunning elegance and clarity, NAKED SPACES explores the rhythm and ritual of life in the rural environments of six West African countries (Mauritania, Mali, Burkino Faso, Togo, Benin and Senegal). The nonlinear structure of NAKED SPACES challenges the traditions of ethnographic filmmaking, while sensuous sights and sounds lead the viewer on a poetic journey to the most inaccessible parts of the African continent: the private interaction of people in their living spaces.

Without a Fight is a feature length documentary film that explores how soccer can facilitate social change in Kibera, one of Africa's largest slums. Footage of violent clashes fueled by polarizing national presidential elections is intertwined with profiles of youth from different religious and ethnic backgrounds as they navigate daily life and prepare for the final championship soccer game of the season. The film provides a glimpse-often a very positive one-into an Africa few have seen. It attempts to break stereotypes associated with people who live in extreme poverty while depicting sports as a tool that could be used to prevent violence among at-risk youth. The film made its World Premiere at the 11 MM Festival in Berlin, Germany in March 2012 and its North American Premiere at the Full Frame Documentary Festival in Durham, NC in April 2012. - Written by Beth-Ann Kutchma

Africa, that huge drop of strange land that hangs from Europe, resembles in many ways that road that only takes the railway route teaching you the back room of factories and cities. Here you can see the planet from behind the scenes. In the African situation, imposed by the rich countries of the north, all the defects of capitalism are condensed and the true nature of the world order is in this disaster.

United States, September 1st, 2016. American football player Colin Kaepernick kneels during the national anthem, protesting police brutality against black people. Part of the population regards the gesture as an unacceptable affront to the flag. Later, he loses his place on his team. Today, however, he is considered by many as a true hero.

Women's work, gender equality, prison conditions, AIDS patients, humanization of hospitals, parental authority, equal pay... Simone Veil fought many battles that are little known today. As we prepare to celebrate the 50th anniversary of the law on abortion, enacted on January 17, 1975, the time has come to tell her story in a new way through this portrait of a woman ahead of her time: in the light of her other struggles.

A Luta Continua explains the military struggle of the Liberation Front of Mozambique (FRELIMO) against the Portuguese. Produced and narrated by American activists Robert Van Lierop, it details the relationship of the liberation to the wider regional and continental demands for self-determination against minority rule. It notes the complicit roles of foreign governments and companies in supporting Portugal against the African nationalists. Footage from the front lines of the struggle helps contextualize FRELIMO's African socialist ideology, specifically the role of the military in building the new nation, a commitment to education, demands for sexual equality, the introduction of medical aid into the countryside, and the role of culture in creating a single national identity.

An Austrian director followed five successful African music and dance artists with his camera and followed their lives for a year. The artists, from villages in Ghana, Gambia and Congo, were the subjects of Africa! Africa! touring across Europe, but they have unbreakable roots to their homeland and their families. Schmiderer lovingly portrays his heroes, who tell their stories about themselves, their art and what it means to them to be African with captivating honesty. The interviews are interwoven with dance scenes and colourful vignettes set to authentic music.

Directed by François Woukoache.

A race is on to save Gabon’s Moukalaba-Doudou National Park and the silverback gorillas that call it home. Once, this area was protected by a thriving oil industry, but now, big companies are moving out and the logging industry is poised to move in. Ecotourism could be the only way to prevent the trees of this rainforest from coming down, but a team of conservationists needs to make the gorillas of Gabon tolerant of humans first. Follow them as they get up-close with the gorillas, study their moves, and journey to war-torn Central African Republic to learn the secrets of successful gorilla habituation.

Hans Schomburgk reflects on his life as a researcher. He recounts experiences, adventures, and insights he has gathered over the course of 60 years between Cape Town and Congo. The film shows the changes that Africa has undergone in terms of nature and culture during this period, comparing yesterday and today.

“Harry & Meghan: An African Journey" features unprecedented access and exclusive interview with The Duke and Duchess of Sussex about the challenges they face living in the public eye.

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

In this comedic travelogue movie, filmmaker Alex Suszko ventures to the country of Mauritius where he attempts to understand the cultural differences as a lower-middle class American abroad.

380 kilometers from Nairobi, in the Samburu territory, lies a unique village: Umoja. Defended by a thorn fence, access is strictly forbidden to men. Created in 1991, it offers refuge to women repudiated by their husbands or victims of domestic violence. A nerve center for the community, its school is open to children from other villages, provided their families undertake not to subject them to genital mutilation or early marriage. As the new school year approaches, Jane, co-founder of the community, and Rose, teacher, meet little Samella's parents.

An ethnographic documentary following four Ju/’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.

A powerful portrait of Africa's most widely acclaimed contemporary artist El Anatsui. It gives an insider's view of the artist's practice, the ingenious steps and thousands of hours of labor that convert used bottle tops into huge, opulent wall hangings.

Between 1983 and 1987, Ouagadougou, the capital of Burkina Faso and the home city of FESPACO, one of the most important Pan-African film festivals in the world, was the scene of an exciting cinema utopia. With the support of the young president Thomas Sankara, the festival became a symbol of the cultural renaissance of a whole continent. The assassination of Sankara stifled the hopes of millions of young Africans, but the dynamism of FESPACO and African cinema did not stop.

Short Belgian documentary on volcanos in the former Belgian Congo

From the rights of minors before the juvenile court, young offenders from the neighborhoods of eastern Paris, or children of Algerian origin from the shantytowns of Nanterre, to the defense of colonized Kanaks and Polynesians; from the fight for conscientious objector status to the denunciation of torture and the death penalty, lawyer Jean-Jacques de Félice has been involved in every struggle. His pacifism knows no bounds: with organizations like Cimade, LDH, and the Louis-Lecoin Committee, he assists draft dodgers in numerous countries. These include Portuguese conscientious objectors refusing to fight in the wars in Angola and Mozambique, American deserters opposed to the Vietnam War, and Israeli objectors refusing to serve in the Occupied Territories. It is no surprise that, as early as 1971, he was one of the very first lawyers representing the farmers of the Larzac plateau.