Shortly after his mother’s passing, playwright and stage director Mohamed El Khatib receives a phone call from his uncle in Bab Berred, the family’s village in the Moroccan Rif, instructing him to come as soon as possible to collect his inheritance – mysteriously insisting that he should make the trip in a Renault 12. Coaxed by his father, El Khatib decides to make the journey from Orléans to Tangier. Structured like a road movie, Renault 12 is also the filmmaker’s quest to discover his own origins, in which he both documents chance encounters and stages situations to bring social, political, and cultural landscapes to light.
1950s Soho beats with far more energy than its 21st century counterpart in this vivid time capsule.
Step by Step
Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
Travelogue/documentary follows newly married Rita Hayworth and Prince Aly Khan on their honeymoon trip through exotic locales.
This FitzPatrick Traveltalk series short looks at Czechoslovakia before World War II, including images of bridges, churches, and castles in Prague, also a non-military parade through the city.
This Traveltalk series short takes a look at Cairo's landmarks, people, and culture.
Traceable follows Laura Siegel, a fashion designer who takes a critical look at the fashion supply chain and fast fashion industry, travels through India in order to meet and work together with the artisans who create the majority of the clothing that we wear. The film explores our growing disconnect of how and who makes our clothing, thus instilling a need for traceability in the fashion industry.
A 40-day, 40-night road trip to the Trinity Site—where the first atomic bomb was detonated in the summer of 1945—covering many other atomic destinations and driving deep into the natural and social history of the American southwest.
This Traveltalk series short celebrates San Francisco, past and present.
Set in Varanasi, an ancient city of India, Tana Bana offers a rare look at the hidden world of Moslem weavers and Hindu traders and how their lives are interwoven through the production of the silk and the beauty it creates. However, as the technology advances, the trade is threatened by computerization and globalization.
In the holy city of Varanasi, 16-year-old Ali has one of the most dangerous jobs in the world – catching poisonous snakes. The boy balances life and death on a daily basis to support his family.
Life on the road in India, showing the traffic, people and animals.
Hindu temples at Benares and Belur and the mythologies associated with them.
Filmed in 1938, less than a decade before Indian independence, Delhi has a curious tale to tell. ‘Delhi’, the viewer is informed, ‘is the cockpit of the Indian Empire’, it provides the ‘gateway to the riches of the south’. The opening sections of the film focus upon those who have tried and failed to establish a lasting power in the capital. ‘At Delhi’, the commentator states, ‘successive cities have been built by conquering invaders – each has fallen into disuse and decay’. The camerawork focuses on the ‘impressive ruins’ of these earlier invaders. Although the film also depicts the enduring architecture of Muslim rulers, such as Akbar and Shahjahan, it is stressed that their power has been superseded. Legend has it that it will be the ninth city of Delhi that ‘will endure and will rule forever’. Shahjahan had built the eighth.
The gang embarks on a trade mission to India. Equipped with three old British cars and a range of uniquely British products, they set off on an epic road trip across one of the world's most fascinating and challenging countries.
This short film was made by filmmaker (later archivist) Liam Ó Laoghaire (aka Liam O’Leary) and was commissioned by the Cultural Relations Committee of the Irish Department of External Affairs. The film was designed to promote the city of Dublin to its inhabitants and to potential visitors from abroad. Brendan J. Stafford’s crisp black and white cinematography serves the city’s elegant architecture well while the narrator tells of the city’s cultural, literary and architectural history and its many venerable inhabitants. The elegant Georgian squares, the bustling markets, the tranquil parks and the sparkling nightlife present a city that is vibrant, cultured and steeped in history.
The film is a cinematic interpretation of the travel book “Armenia” by Russian poet Andrei Bely.
To the city come men, women, fruits, flowers, vegetables, goats and sheep – all ready for consumption. It is the process of consumption/exploitation that forms the core of the film.
A documentary about a 78-year-old Indian woman in New York who is the world's most passionate theatergoer. Nicki Cochrane has been seeing a play every day for more than 25 years, acquiring free tickets using a variety of ingenious means.