Threnody

An experimental hand-stitched short film, exploring the feelings of gender dysphoria experienced by transgender people.

Peter Larsson’s Keyhole Conversation draws the eye down to the small gate of the camera. From there, through quivering and percussive forms of direct and stop-motion animation, the eye begins to experience the scale of an image anew. At times segueing into a flicker, but maintaining a charmed form of attention to the marks of pencils and the channels dredged in emulsion by a paintbrush, all to a curious soundtrack of pulses and bleeps.

A non-narrative film thematising the eternal struggle of human life in a series of scenes connected by associations and accompanied by a strong music motif.

A brief journey through the human experience as seen by the eyes of an Artificial Intelligence.

Flowers dance and transform in water, using strobe effects and superimposition. A meditation on life cycles through botanical animation, continuing Jodie Mack's material exploration.

A line is being extrapolated through a grid. When the line surpasses the boundaries of the grid, the process spreads to and reflects on its surroundings. Beyond each boundary the extrapolation of movement is causing deformation in a systematic but speculative way.

Machinima-adaptation of Albert Camus book "L'étranger", done in Grand Theft Auto: San Andreas.

Abstract video art set to the music of Philip Glass.

An NTSC space opera.

Blind evolution. Seemingly arbitrary stages of the evolution in black-and-white drawings on rough paper.

Following a morphing blob of flesh through an artificial landscape of urban textures we take part in a process of creation and adaption. From a simple square to increasingly complex moving patterns, the organic seems to get lost in the artificial which begins to dominate rhythm and structure of the world.

Proxima B is an experimental video shot entirely in stop motion. The camera moves frame by frame in models on which video projections animate the sets. Some plant elements were added to the drawing, frame by frame.

With the abundance of antiques and culture in Jordan, you can only see so much of the essence of traditional craftsmanship in a blink of an eye. This film showcases the beauty of old Hong Kong, all in a glimpse of textiles, flasks, paintings and statuettes.

A minimalist optical sound meditation on simplicity and repetition building complex arrangements of audio-visual oneness, where the most basic geometric shapes draw intricate visual and sonic patterns.

Translating and encapsulating the director's personal childhood experiences as well as past lived experiences, You build a home in my mind comprises of playground rides, the everyday scenery outside the window of the artist's studio, and unique, special objects recalled from memories—weaving together a melody that lures the viewers to roam and wander. As the boat navigates between reality and imagination, resembling a journey of constant loss and persistent search, the scenes become slightly different when they reappear, these scenes alluding to the repetitiveness and uncertainty of life.

Appearance, hormone, sex appeal. When we are tired of everything about these, all we want to do is break, demolish, and destroy. With crazy cut-out animation, this film is trying to release us with the strong beat of the song and search for revenge in a chaotic but unique world.

Quakes

The animation, music, and optical printing of Kitsch in Synch was produced by Beckett and the students in two classes he was teaching at CalArts. Although a group project, it is clear that Beckett was the director. The playful, catchy soundtrack is used to create a cycle of building tension and release. The brightly colored shapes create approximate symmetrical formations and become more densely layered, with glimpses of iconographic objects and even live footage near the end. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.

This ultra-short, experimental video art piece serves as a stark apparatus for decoding the aggressive rhythm and discontinuous production of contemporary life. The work is built upon a Stop Motion loop composed of just 12 frames, using this brief, intense format as an installation of shock that conveys the systemic pressure of a speed-obsessed society. The central figure, the rat, is placed to represent the archetypal subject of the urban underclass—the individual whose labor is rendered invisible and who is constantly forced into a struggle for survival. What we observe is not an advancement, but a fruitless scurry trapped in a vicious cycle. As the image repeats, it whispers that what we perceive as progress is, in fact, nothing more than an exhausting, self-referential recurrent routine. Rhythm/12 Frames compels the viewer to question both their own limits of perception and the grim reality of existence reduced to a survival mechanism within the system

L'Ondomane