The film is about a protest provoked when the university decided to restrict access to sports facilities to athletes, cutting out all other students. This is, strictly speaking, not a Prokino film. It was produced by the Waseda University Film Circle, which was organized by Kawazoe Shiro. Feature film directors Yamamoto Satsuo and Taniguchi Senkichi were apparently students at Waseda at the time and participated in the production.
Everything you've dreamed about college girls comes true at Spring Break.
The story of the struggle for the women's vote is much more than just the account of the exploits of Emmeline Pankhurst or the tragic fate of Emily Davidson. Lucy Worsley puts herself at the heart of the drama, alongside a group of astonishing young working class suffragettes who decided to go against every rule and expectation that British Edwardian society (1901-1910) had about them…
A light and somewhat satirical look at the problems and pleasures of Continental holiday travel. A passenger on the Hook Continental Express from Liverpool St. imagines the possible destinations of his fellow passengers.
Coach passengers give their reasons for preferring that type of transport. A group of ramblers visit the Welsh mountains; an angler and his family spend a peaceful day by a country river; a family goes to the seaside; some students visit Oxford during a music festival.
Story of Annette Kellerman, the international swimming vaudeville and silent screen star whose life story inspired the MGM classic Million Dollar Mermaid starring Esther Williams, which featured lavish Busby Berkeley scenes.
Laure ! Laure ! Laure !
This film visits many of the neighborhoods and landmarks on Manhattan Island and occasionally includes a history lesson. The neighborhoods include the Bowery, Chinatown, Herald Square, and Times Square. Some of the architectural highlights are the Empire State Building, the New York Public Library, Temple Emanuel, the Central Park Zoo, and the Rockefeller Center complex. The film ends with a visit to a dining room in the Waldorf Astoria Hotel, where the Xavier Cugat Orchestra entertains.
In 1899, a photographer at American Mutoscope & Biograph mounted his camera on the front of a trolley traveling over the Brooklyn Bridge. The three 90-foot rolls he created were edited together to complete the journey from Manhattan to Brooklyn, entitled Across the Brooklyn Bridge. As a commission by the Museum of Modern Art for the re-opening of their facility, American avant-garde filmmaker Bill Morrison took this remarkable footage and recombined it with itself to form a new split-screen extrapolation.
Attractive travelogue filmed in and around Delhi's Qutb complex.
What is the "feeling" of a city? Is it the roads, the light that illuminates them, the people that live there and their stories? It's all these things, but also something else, something requiring time and attention to be understood. The film goes in search of this feeling exploring the city of Venice and its lagoon, prying into its less-known corners and listening to the stories of six citizens: a hotel waitress, an old archaeologist, a pensioner from Mestre, a painter/fisherman, an apartment burglar and a young boy.
The film is a travelogue of sorts. Ostrovsky’s personal family footage meets the archives of Soviet propaganda footage. The result is a kind of Khruschev-era mix with a collage of Soviet music and a voice-over of my reminiscences of the Cold War era.
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
This Traveltalk series short visits the rural agricultural areas of Hungary.
A monument handcrafted by Konstantin Bessmertny is exhibited at Venice Biennale 2007.
An exploration of Rodez Cathedral and its stained glass windows: praying figures and scientific imagery. A study on color, repetition and flickering consisting of 292 photographs.
For fixed-gear cyclists, Los Angeles is a city that has it all. From the neon glow of Hollywood to the sun-drenched boardwalk of Venice Beach, fixed-gear has evolved into a vibrant street culture that is uniquely L.A. From director David Rowe (Fast Friday) comes a new documentary feature that explores a side of L.A. few outsiders have seen. From races through rush-hour traffic to midnight loft parties, To Live & Ride in L.A. is a fast paced-trip through the busy streets and back-alleys of one of the world's largest cities. To Live & Ride in L.A. features talented local riders tearing up the streets with first-time visitor Keo Curry (Fast Friday, Macaframa) - one of the living legends of the sport. Bike to hidden spots off the map, race a midnight alley-cat, keep pace with the riders from Wolfpack, and hang with the local crews, graffiti artists and other L.A. personalities burning up the fixed-gear scene.
Documentary film about the sports life of Croatian swimming icon Veljko Rogošić.
This Colin Low documentary from 1959 depicts Venice in all its splendor. In the tradition of Venetian painter Canaletto, the film captures the great Italian city’s elusive beauty and fabled landscapes, where spired churches and turreted palaces soar into a blue Mediterranean sky. Narration by William Shatner.
The film is a cinematic interpretation of the travel book “Armenia” by Russian poet Andrei Bely.