Dos

"Light from the Mesa" from Barn Owl's album Ancestral Star.

Inspired by geology, science fiction, and documentary archives, CORPS MINÉRAL integrates a narrative co-written by Gabrielle HB and Charline Dally (Le désert mauve). The film connects the spaces of our lives and of our sensible experiences with geological phenomena of immeasurable temporality. The layers of memory, whether they are contained in the rock or in our cells, are part of a cycle from sedimentation to disintegration. The work invites us to apprehend these processes with attention and empathy in order to consider their slowness as a means to heal even the deepest fractures.

Super 8mm / color / sound

Time passes. Life flows. Nature completes an entire cycle of life and death. Eve and Adam reinterpret and correct the myth of the tree of knowledge: the forbidden fruit makes us wise. As the earth revolves around the sun, the camera captures a baroque symphony of lights and colors. There is no digital manipulation: all the effects are produced analogically by the camera mechanism.

Pablo, an introverted child, has the ability to enter his mother's paintings, this takes him on a surreal and bizarre journey that dissolves the limits between reality and imagination.

A lensless exploration of hair on 35mm film.

An inexperienced astral projector seeks his grandmother’s wisdom after meeting an uncanny woman in a place transcending reality.

A long dark night transforms the day.

How do German couples communicate in private? What are they arguing about? Is the way to a man’s heart really through his stomach? This docu-fictional hybrid production discusses such questions with the help of authentic interview snippets that were edited under the staged plot. We get an insight into the life of an animal couple, who experience typical everyday situations on behalf of us humans. At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.

We were slightly feverish when we started working with a particular color process. At the development, we had obtained wonderful tones of blue and yellow as well as colored solarizations. Thus, this process was used for 15 days then the fever subsided. At that time they listened to the music of Gilbert and Lewis, and that is why they put a piece on the soundtrack.

Music by Byron Westbrook, 16mm film by Paul Clipson.

"statues of yesterday" is a structural film that explores the nature of memories and their relation to time.

Impressions of a marriage on the lakeshore, the lapping of water, and the mediation of a movie camera.

Old home-movies and astronomy imagery entwine along a common and inescapable course towards their end.

An archival film recovered by the Kydean Film Institute 10 years after the bombing of Renegraad.

This work is a consideration of the vision expressed by "dot".

An homage to the influential practice and philosophy of artist Nasreen Mohamedi. The film incorporates Mohamedi’s personal notes and her unique singular vision, drawing upon the aesthetics of the bare line, and its metaphysical journey eliminating physical borders/barriers.

a dance in the field, a refutation of indolence.

For this I used 3 different types of VHS static first, then I started messing with them, and when I was happy with the end result, I decided to shoot the whole thing on my monitor with my phone 3 different times, they're all shot in 720p 15 fps with varying shutter speeds. Then I superimposed the videos and exported the full project in 480p 400 kbps. The song is withoutu by SALEM. Obviously inspired by Stan Brakhage, got the inspiration to finish the project by watching the work of Audrey Robinovitz. Hope you get something out of this like I did :3

Short film showcasing a collection of unconventional dreams.