John Zorn's Naked City

A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century

"Sax Maniac: The Life and Times of James Chance" delves into the groundbreaking career of James Siegfried, better known as James Chance or James White, a seminal figure in the late 1970s and early 1980s New York City "No Wave" music scene. Produced and directed by his brother, David Siegfried, the documentary chronicles James's journey from his early days in Milwaukee, Wisconsin, where he first explored jazz and protopunk.

With HOW TO FLY, Bowes abandoned plot entirely, finding other forms of structure. He wanted to show that stories do not have to obsessively organize and explain data, and that television’s hundreds of simultaneous, fragmented narratives – news, fiction, commercials, sports, etc. – had prepared audiences for this new type of structure. — Charles Ruas

Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.

A delusional man in a modern day city dresses, acts like, and has the mindset of a cowboy.

Weaving blistering performance footage from Europe, Japan, and the U.S. with a sublimely restrained, intimate glimpse into a world-renowned jazz percussionist’s singular voice and complex cosmology.

John Zorn: alto sax, vocals Bill Frisell: guitar Wayne Horvitz: keyboards, piano Fred Frith: bass Joey Baron: drums

Two New York poets talk about art, poetry, and smoke in this French New Wave inspired short.

The aftermath of an experience with Heroin causes a man to destroy anything within his path.

This fascinating and retrospective look at the music of the outspoken and multitalented Lydia Lunch represents every stage of her varied career, with featured songs such as "I Woke Up Screaming" from her Teenage Jesus and the Jerks days. Other songs spanning the decades in this collection include "Freud in Flop," "Sorry for Behaving So Badly," "Dead River," "Solo Mystico," "Summon," "Violence Is the Sport of God" and many more.

In this ostensible murder mystery, the genre elements are merely a pretext for the series of haunting (if inconclusive and only mildly erotic) homo-social encounters he stages. Starting with the familiar premise of the absent woman, so popular with Downtown filmmakers, Vogl drains his storytelling of any hints of noir stylization. Instead of nighttime scenes, slick streets, and dark alleys, he shoots documentary-style on the nondescript, sunlit streets of Brooklyn, Manhattan, and City Island in a manner that casually references the art-film angst of Michelangelo Antonioni.

Vipal Monga's first feature-length documentary chronicles an unprecedented series of concerts performed in February 2005 by the legendary jazz composer Lawrence D. Butch Morris. The concerts were in celebration of the 20th anniversary of Conduction, Butch's revolutionary technique for live music-making. Butch put on 44 performances in 28 days with 85 musicians pulled from all across New York's musical community. Along with footage from these remarkable concerts that span a full range of musical styles from big band jazz to funk to electronic and symphonic works. The documentary features some of the leading lights of the New York creative-music community, including Henry Threadgill, JD Allen, Brandon Ross, Graham Haynes, Howard Mandel, and Greg Tate. Although the film provides unique insight into New York's vibrant avant-garde music scene,

A film noirish atmosphere is created to show detective Lunch (a popular underground musician and poet) plow her way through the plans of a corporate businessman who seeks government defense contracts through real "corporate wars" and the manipulation of politicians.

A Nietzschian parable on the fate of innocence, THE TRAP DOOR follows the mishaps of Jeremy (John Ahearn) as he is fired by his boss (Jenny Holzer), gets laughed out of court by Judge Gary Indiana, loses his girlfriend to sleazy Richard Prince, is hustled by prospective employer (Bill Rice) and mauled by predatory bird-women. Finally, he seeks the help of a shrink (the legendary Jack Smith) who turns out to be the most demented of all.

A teen is locked in a room with a monitor lizard

Vincent Gallo as Flying Christ

A melancholic boy. Heavy images. Brightness and colors. Haunting in the form of sound and cuts. A curtain hides something behind it.

Shirley Clarke's frenetic documentary about multi-talented musician Ornette Coleman.

In the void created ad hoc to throw us into desperation, fear, shock, the torment of an infinite present, Arto Lindsay sings with words, silences and small gestures of/with/for/about love, a force that is so violent that nothing will ever be the same again.

Complete strangers meet in a room to act out their sexual desires.