3 cortometrajes sin título

Deemed "too ambient for broadcast" by MTV's AMP, Thaemlitz' first video "Silent Passability (Ride to the Countryside)" contrasts cinematic footage from drag performances in upstate New York with highly processed digital audio from his CD "Couture Cosmetique" (US: Caipirinha/Japan: Daisyworld, 1997). Thaemlitz is known for his fusion of computer synthesis techniques with non-essentialist transgenderism as two methodoligies which appropriate and critically recontextualize cultural signifiers, whether they be audio sources or gender constructs. The audio for "Silent Passability" deals with fears of violence while travelling in 'passable' drag between safe zones, and Thaemlitz' unsettling compulsion to remain silent in such circumstances so as to avoid confrontation. Antithetically beatific images from the transgendered stage question posturing as a means for alieviating and/or concealing such oppressive circumstances.

Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on the streets on film. The special feature of the work is that the people and objects are portrayed exclusively through their shadows.

The night before her eighteenth birthday recital, an overworked and undertalented pianist is abducted by three ghouls.

In 2017, a short anime film called Hypersonic Music Club was produced in Japan. It was directed and written by Osamu Kobayashi, a veteran of the industry who passed away in April 2021. For various reasons, this short anime was never released. It was made public on August 1, 2023.

A short experimental film shot on Super 8, inspired by the music of Richard Wagner.

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

An omnibus film based on Kim Oki's album Hip Hop Retreat. Twenty characters share the same table at different times, in different emotional states, each with their own story. Shot in one day, edited in one day.

An experimental short film exploring themes of depression and existentialism through various empty spaces and poetic narration by a young French-speaking woman.

A musical fantasia on religion and the nature of exploitation.

The word kewaaj (কেওয়াজ) is colloquially used to explain chaos, noisiness or annoyance. "Kewaaj" is an audiovisual attempt to give you a glimpse into how the people of Dhaka function in one of the most unliveable cities, according to the Global Liveability Index.

Eu Sou um Pequeno Panda

Night vs. light, music vs. motion, figuration vs. abstraction. Experimental video artist Max Hattler utilises distorted urban imagery and neon glare to create this entrancing short

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.

“And, 'twixt the shadows and frights of nocturnal splendors, My beloved will secretly be hiding. Say what you will, say what you may.” The sound of a distant whistle and theorbo calls a sleeping singer through the empty streets of Stuttgart in a midnight journey to the opera house. ‘dei notturni splendori’ is an experimental opera film made for the Staatsoper Stuttgart in the early months of the Coronavirus pandemic lockdown. Anderson Matthew captures the singer Helene Schneiderman through a midnight dream with a hand-cranked kino camera in an ecstatic 35mm photo roman, in search for her own performance of the Tarquinio Merula madrigal Folle é ben chi se crede from 1638.

A young woman goes on a cathartic journey through memory and imagination inspired by the performers at an open mic.

The all powerful goddess of feet showing off her very interesting, soft and thick assets to you in every way she can imagine, while the sounds of the rave club rage on. Loaded with tons of sole scrunching, big bunching, feet waving, heel wagging, meat jiggling, toe wiggling, pad waggling, arch curling, foot furling, body bouncing, fancy dancing, sweating wetness and much much more ensues in this exciting experimental generative ai visual album.

This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At the end, in footage probably shot by Jerry Juhl, Jim demonstrates his working method.

An abstract animated film inspired by the work of jazz musician Chico Hamilton.

The portrait of a world in reverse, a society of different tonalities and shades. Aspiration as a refuge from systematization.