3 cortometrajes sin título

This is not just a “folkumentary”, but an invitation to reflect on the future of humanity on a planet where tradition and technology coexist, and where the unknown reminds us that there are still unanswered questions.

Filmed from the last night of Tihar, festival of light, in Kathmandu 2025, exploring colour, light and stillness.

Experimental film "Presence has all the things that life can have in itself. But living as a stranger in today's arena, how much does it desire to communication?

In a live performance of international standards, musicians, voices, dancers, hot choreographies, impressive visuals, live cinematography and masterful video-statements, worked down to the last detail, compose a multi-layered setting of unique aesthetics. With impressive scenography and absolute stage energy, the Water Square caught fire in front of 16,168 spectators of all ages, in an absolute POP experience. Explosive and lyrical, with a clear identity and point of view, the multi-platinum hitmaker and performer Marina Satti, will rock with her sweeping hits such as LALALALA, MANTISSA, BLOUZAKI, SPIRTO KAI VENZINI, LOLA, TUCUTUM, AUTOKINHTO, AH THALASSA and of course ZARI.

Live concert at Shinjuku Loft on 5 April 1982 for the release of Hijokaidan's first album.

Music by Byron Westbrook, 16mm film by Paul Clipson.

Keratin is a collaboration with the London Sinfionetta, visually responding to Gavin Higgins' Seven Welsh Folk Songs: I. Dacw 'Nghariad i. The film tells the journey of a mating of elements, two bodies grieve over a lost third: a child separated from their womb. The three bodies bound by their keratin, regain connection in a wombic journey which spiritually networks the three into a fused collective body.

“And, 'twixt the shadows and frights of nocturnal splendors, My beloved will secretly be hiding. Say what you will, say what you may.” The sound of a distant whistle and theorbo calls a sleeping singer through the empty streets of Stuttgart in a midnight journey to the opera house. ‘dei notturni splendori’ is an experimental opera film made for the Staatsoper Stuttgart in the early months of the Coronavirus pandemic lockdown. Anderson Matthew captures the singer Helene Schneiderman through a midnight dream with a hand-cranked kino camera in an ecstatic 35mm photo roman, in search for her own performance of the Tarquinio Merula madrigal Folle é ben chi se crede from 1638.

A poetic Super 8mm film created by Rachael Wilson and Anderson Matthew set to accompany the live recital performance of Olivier Messiaen’s Harawi – Chant d’amour et de mort (1945).

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.

A rain parade of sausages meets camels and kings in the 32 minute experimental syncing of Pharaoh Sanders' "The Creator has a master plan"

The last person on Earth revisits their memories as they wander a lonely world

A lone woman is forced to confront her body whilst those around her voice their experiences living in their own skin. Experimental short film where sound and music is placed on equal footing with the visuals.

Composed entirely of AI-generated visuals and providing an abstract representation of the evolution of AI video, processed entirely through a VCR.

Live concert recorded at the Middle East cafe in Boston, MA on September 21, 1990.

Live concert recorded at Brückenkopf in Mainz, Germany on July 5, 1995.

Live concert recorded on the MS Stubnitz in Rostock, Germany on April 6, 1996.

An experimental dance film that explores how we change ourselves, altering our appearance and behaviour in order to please other people and the emotional and mental impact that has on us.

An atmospheric journey, following the unstoppable forces that shape this world. A story beyond humanity.

Amidst a world in flames, a disillusioned workaholic returns to their childhood home in an attempt to escape from their apocalyptic day job.