Vers la seconde abolition de l'esclavage dans les colonies françaises de 1802 à 1848

L’esclavage au cinéma, la fin d’un tabou ?

La Route des abolitions

Le Diable noir

10 mai Africaphonie

Terre marronne

Le souvenir dans la peau, esclavage en terre normande

La Couleur de l'esclavage

Los Palenqueros du Pacifique colombien : cinq siècles de solitude

La Liberté générale : chroniques de la 1ère abolition de l'esclavage 1794-1802

L'esclavage à Bourbon

In this short film, in search of a cinematic grammar more in tune with Creole imaginary and oral tradition, we follow Ondine's quest. She returns to La Réunion after an absence of four years, because her Pépé, a local zarboutan, is dying. Just as she has to say goodbye, Ondine has a strange encounter in a pond.

Au nom de nos ancêtres, esclaves et négociants

Ne suis-je pas ton frère ? La Société des Amis des Noirs 1788-1794

Mamay draws on traditional Ukranian and Tatar folktales for its Romeo and Juliet-like love story and parable about chivalry and the struggle for freedom. Hundreds of years ago, in the wild steppes of Crimea that form an uneasy border between East and West, Europe and Asia, nomad and farmer, the proud Cossack Mamay falls in love with the Tatar beauty Omai. The title, like the storyline, holds a variety of different meanings taken from different cultures. In Turkic languages, it means "no one," but it was also the name of a famous Mongol conqueror, the great grandson of Ghengis-Khan. In Persian legends, mamay literally means "the spirit of the steppes. "

As a poster boy for hedonism, his whole life was one big party. A journalist, filmmaker, director, producer, actor, novelist, ladies' man and prolific father... Roger Vladimir Plémiannikov, a.k.a. Roger Vadim, tried everything until his death in 2000. Portrait of a man at the cutting edge of fashion and trends.

Io e il re

Film on presidential campaigns and the right to vote. Used as educational material in American classrooms.

This documentary traces the dramatically different ways in which Jesus has been represented in art throughout history and around the world. Narrated by Mel Gibson, Ricardo Montalban, Bill Moyers, Edward Herrmann, Patricia Neal and others, the program utilizes the latest digital technology and motion control photography to reconstruct and relocate works into their original locations. Amazing digital morphing sequences dramatically illustrate how the image of Jesus has changed over time while unique special effects virtually reconstruct art that has been destroyed or lost forever. A sweeping and visually riveting lesson in art history, The Face: Jesus In Art is a documentary of stunning beauty and unprecedented innovation.

There are endless gruesome ways that the world could end; through nasty, natural disasters or because of some man-made abomination. From maniac killer robots and super volcanoes, to an alien invasion and mutant psycho humans, all options are covered in Ten Ways the World Will End.

It's been 20 years since an Australian film has reached number one at the yearly Box Office and our films have consistently grossed under 5% for the years. So what can we do to make a change?