It's time the times met each other over & over.
Don't ask me why, but I feel we're about to cry trying.
Say Om as you reach home only to realize you never really left/stopped saying Om.
Rather pointless, rather stilted, fetid; not what we want us going after.
Arguably Larry Gottheim’s most exuberant experiment in the single-shot, single-roll format (and his first with a soundtrack), HARMONICA trains the camera on a friend improvising a tune in the backseat of a moving car. Held out the window, the harmonica becomes a musical conduit for the wind, while Gottheim's film transforms before our eyes into a playful meditation on wrangling the natural elements into art. - Max Goldberg
This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
Hiding inside&out, writhing about, taken out&in.
'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
Wax and wane until there is naught but boring pain.
Centrist revelations abound among repetitions & revisitings.
Something I know or something I was told? When something scalding translates something to behold.
Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.
A film about friendship and the occasional loneliness.
Still it's really tall. Still it's really floundering/falling/fading.
Your raging romp results only in rescinded regret @ the hands of radder cadets.
Strings together what's strung together (please use yr tether).
Slowed, stowed, achingly retold.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.