Yoga Nouveau

Never before have we watched as much porn as today yet the traditional porn industry is dying. The arrival of web sites showing amateur clips has transformed the way porn is made and consumed. Behind this transformation lies one opaque multinational.

In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.

Mars, 2035. The daily wearout overtires the space’s station crew. The anger of one of the members arises, there is no other choice but to conceal it, in order to preserve the apparently cohesiveness of the team.

Ravaged by a debilitating illness, the Toxic Man sets out to stop the cabal of scientists and bureaucrats responsible for his metamorphosis in a surreal stab at vengeance.

A compilation of non-narrative films shot in the 1970s and 1980s by Phill Niblock concerned with the movement people make when they do menial tasks.

Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique.

A Polish folktale set in the Middle Ages, tells the story of a man, whose eyes, or the gaze of them, brings upon death.

A man who is paranoid and deluded by his own conspiracies that someone out there is after him must come to terms with the root of his suffering.

Coming out of an accident with amnesia, Sophie Bauer tries to reshape herself in the eyes of those who knew her best.

A two-minute poetic micro-manifesto of ecological and social warning about the endangerment of people and the world's nature in the 1960s.

Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.

Part of the collective film OUTRAGE & REBELLION & inspired by the police repression of a protest in Montreuil where Joachim Gatti lost one of his eyes. CIEL TERRE CIEL can be defined as the poetic identification of this loss.

part 2 in the "LA in Lockdown" trilogy

In a desolate, destroyed landscape - bearing now irrelevant traces of technological society - a man and a boy try to find their way under a fierce sun.

Spectator is one of the early masterpieces by Zwartjes. The film explicitly shows one of Frans Zwartjes’ main themes: the relationship between husband and wife. It is a relationship that is strongly marked by power and domination, sexual attraction and repulsion. It manifests itself in humiliation and abuse (such Pentimento), but also in cool eroticism or natural physicality. Zwartjes’ goal is not to explain or designate this relationship. Rather it is the subject that Zwartjes uses to describe his world. In an article on Zwartjes, filmmaker and student George Schouten compares Zwartjes to the Italian writer Alberto Moravia. For both, sex is their way of dealing with reality. It is the subject by which they define their world. And for Zwartjes, it is also the subject with which he can display and develop his cinematic talent. (eyefilm.nl)

A cri de coeur against Iraq War I from writer-director John Gianvito (Profit Motive and the Whispering Wind).

If we lived in the world of cinema, could flowers blossom without withering?

A surreal, pop-art depiction of a young girl losing her virginity.

Four young men and a young woman sit in boredom. She smokes while one strums a lute, one looks at a magazine, and two fiddle with string. The door opens and in comes a young man, cigarette between his lips, a swagger on his face. The young woman laughs. As the four young men continue disconnected activities, the other two become a couple. When the four realize something has changed, first they stare at the couple who have kissed and now are dancing slowly. The four run from the house in a kind of frenzy and return to stare. The power of sex has unnerved them.

We see a film negative of a nude couple embracing in bed. Then, back in regular black and white images, we see them alone and together, clothed, at home. It's night, she sees his reflection in the window, she closes the drapes. After sex, again in a black and white negative, they sit, smoke, have coffee. They kiss, she smiles. They light candles. The images are often quick, the camera angles occasionally are off kilter; the room is sometimes dark and sometimes lit, as if lit by the rotating of a searchlight. The images again appear in negative when they return to bed.