Cautivos en la arena
The memory of the poet Vicente Aleixandre remains silent at No. 3 Velintonia Street. Home of a Nobel Prize in Literature 1977, it also recalls the joy of Lorca and other members of Generation´27, the pain of civil war and post-war, and became a meeting point for most writers in 20th century Spanish Literature, now is abandoned and for sale. This documentary recreates its story and spirit.
A definitive review of the long and arduous journey of the works of Spanish Artistic Heritage during the Spanish Civil War. The filmmakers travel the tortuous way back from Madrid to Geneva, passing through Valencia and Figueres, interviewing the protagonists of that unrepeatable feat.
The memory of a defeat, a barbarism: the destruction at the dawn of the civil war of people who fought for freedom, a group of anarchists from A Coruña located in the Atochas area. Through valuable witnesses and historical images a reconstruction of a metaphorical episode in the history of the country. This projection is made in collaboration with its author and the Commission for the Recovery of Historical Memory.
Documentary about the bombing of Gernika carried out by Nazi aviation in support of Franco's troops. Contains testimonies from survivors and unpublished color images.
The victory of the fascist army in the Spanish civil war caused a mass exodus of republicans who had to take refuge wherever they could. Mexico, led by its president, Lázaro Cárdenas, was the only country that openly supported the republican cause and opened its doors to thousands of Catalans who found their second homeland in that land. This documentary aims to be a tribute to all the exiles and the people who welcomed them. "Mexico, you have opened your doors and your hands to the wanderer, the wounded, the exiled, the hero..." Pablo Neruda.
After the discovery of a suitcase hidden in the family home of Francisco Martínez Gascón, known as Kautela, a photojournalist who lived through the Spanish Civil War from the perspective of the rebel side, his granddaughter decides to carry out an investigation into his life and work.
During the 30s, the young Catalan teacher Antoni Benaiges takes office at a rural school in northern Spain. Antoni has a simple project: he wants to teach his pupils to write and to be free through the use of the printing press. But his dream ends very soon. An individual and collective story in memory of the victims of the Franco's repression.
Heart of the Generacion 27, Spanish poet Emilio Prados recalls his lifetime from Mexican exile where Spanish Civil War has forced him, as other Spanish intellectuals in 1930s.
Analysis of Robert Capa's professional career and the historical impact of his visual treatment of the Spanish Civil War.
A missing submarine in Spanish Civil War leads to the first German Navy operation before WW2. Republican submarine C-3 was the victim of international secrecy and intrigues, after a torpedo from U-34 sunk it on December 12th 1936.
Documentary that narrates a key moment in our history: the Franco coup d'état, the cruel repression that was carried out and the attempts at resistance in the Charra province. Many people are convinced that Salamanca surrendered with open arms to the coup plotters; However, nothing could be further from the truth. In Salamanca there was repression and there were attempts at resistance; There were arrests and there were tortures, there were shootings and there were disappearances. In Salamanca there was also harsh repression that manifested itself in all its forms.
At the start of 1939 an exodus of nearly 500,000 Spanish Republicans, soldiers and civilians together, fleeing Franco's troops crossed the border to France. Louis Llech, a Perpignan based shopkeeper and enlightened amateur cineaste, owned a 16mm camera. Together with his friend Isambert, he filmed this extraordinary migration. Fascinated by the military aspect of this Retirada, he favoured shots of parades, of crowds, like those showing military equipment. He nonetheless also showed civilian distress, without insisting on its picturesque aspects, focussing more on images of the uninterrupted flow of refugees.
Los ojos perdidos
Guernika, year 1937. The city is savagely bombed from the air by a battalion of fascist troops. During the bombardment, Republican artillery shoots down an Italian plane. The pilot manages to parachute very close to a village inhabited by three women. Badly wounded on the ground, he is going to be finished off by one of them, Ikerne. This one, however, feels disturbed by the man's presence, and in a purely impulsive act she decides to take him to the house's barn. The presence of the man in the house reveals the lethargic desire of the three women. But it will also bring out the small conflicts and contradictions that the harsh survival conditions in the house have generated. The solution finds its way between desire for man and hatred for the enemy.
Javier López Cronwell, journalist, son of an American and a Spaniard, comes to Spain to write a series of anti-communist articles. The boy is politically neutral and emotionally and personally cold. He comes into contact with his paternal grandfather and the friends of his father, who died in our Liberation War, who propose that he take the provisional ensigns as a topic for his article. He prepares his return to North America without waiting to see the 25th anniversary Victory Parade, despite the wishes of his father's friends, old ensigns who will parade to show the world that they are still in the breach.
Spain in the 1930s is the place to be for a man of action like Robert Jordan. There is a civil war going on and Jordan—who has joined up on the side that appeals most to idealists of that era—has been given a high-risk assignment up in the mountains. He awaits the right time to blow up a crucial bridge in order to halt the enemy's progress.
A short film on Republican efforts to improve education standards during the Spanish Civil War.
The film shows the genesis of the El Rocío pilgrimage and unveils the economic, socio-political and religious reasons and interests that nurture the phenomenon.
In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.