Ecstatic Stigmatic

Two aimless psychics develop a strange relationship as they come to terms with having been groomed for espionage as children in the Gifted and Talented Education program.

The aftermath of an experience with Heroin causes a man to destroy anything within his path.

A melancholic boy. Heavy images. Brightness and colors. Haunting in the form of sound and cuts. A curtain hides something behind it.

A teen is locked in a room with a monitor lizard

A documentary on the music, performers, attitude and distinctive look that made up punk rock.

With HOW TO FLY, Bowes abandoned plot entirely, finding other forms of structure. He wanted to show that stories do not have to obsessively organize and explain data, and that television’s hundreds of simultaneous, fragmented narratives – news, fiction, commercials, sports, etc. – had prepared audiences for this new type of structure. — Charles Ruas

A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century

A film noirish atmosphere is created to show detective Lunch (a popular underground musician and poet) plow her way through the plans of a corporate businessman who seeks government defense contracts through real "corporate wars" and the manipulation of politicians.

In this ostensible murder mystery, the genre elements are merely a pretext for the series of haunting (if inconclusive and only mildly erotic) homo-social encounters he stages. Starting with the familiar premise of the absent woman, so popular with Downtown filmmakers, Vogl drains his storytelling of any hints of noir stylization. Instead of nighttime scenes, slick streets, and dark alleys, he shoots documentary-style on the nondescript, sunlit streets of Brooklyn, Manhattan, and City Island in a manner that casually references the art-film angst of Michelangelo Antonioni.

Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.

When a gang of suburban teens stumbled across a bunch of abandoned instruments and formed The Fleshtones little did they know that 30 years later they'll still be struggling to rock - and pay the bills.

Vincent Gallo as Flying Christ

Featuring eighty-two minutes of extremely rare, never-before-seen international concert performance footage of bands such as Rancid, Joe Strummer and the Mescaleros, Dropkick Murphys, The Slackers, Roger Miret and the Disasters and Tiger Army - to name just a few, the GIVE 'EM THE BOOT DVD is a gritty look into the underworld of Hellcat Records through the eyes of founder Tim Armstrong and a hoard of his Hellcat family members! Highlights include performances and extra footage from tours such as the Rancid/ NOFX tour, the first Lars Frederiksen And The Bastards tour, various headline tours and both Hellcat Records’ Punks VS. Psychos Tours.

For the first time on DVD, Terry Chimes fills in the story of the birth of punk. Essential viewing for every Clash fan, this incisive film features long-serving road manager and author Johnny Green who reveals the philosophy and the spirit which drove the band. Drawing on extensive footage of the Clash in performance as well as previously unseen drawings and cartoons by the legendary Ray Lowry, this is as close as you¹ll ever get to being there.

Lydia Lunch and Richard Kern's first collaborative effort, The Right Side of My Brain, is a glimpse into the world of unsatiable female lust, narrated by Lydia Lunch. The film was initially dismissed and dismayed by critics such as J. Hoberman, but the criticism of The Right Side of My Brain received only pushed the two to go one step further with Fingered (1986).

At the end of the Reagan years, rocker and confrontational performance artist Lydia Lunch launches a broadside. From a formal podium, she attacks the white male power structure of the US. Next she takes on her parents. Then, the volume lowered and the background the streets of New York, she lets us know what she thinks of life, of herself, and of us, anyone who's watching or listening. Life is depression, despair, and death. She's the girl next door gone bad. And us? Compliant sheep. Lunch lays out a challenge.

A group of actors in the East Village of New York City have been rehearsing for a play when the lead actress in the play turns up dead.

A delusional man in a modern day city dresses, acts like, and has the mindset of a cowboy.

A young artist is followed by his friend in New York. A Tribute to Jean-Michel Basquiat

Documentary about punks of the city of São Paulo and its difficulties, struggles and ideals, the importance of music in the universe of its ideology, interviews and images of shows of some musical groups like Ratos de Porão, Inocentes and Fogo Cruzado.