So Funny It Hurt: Buster Keaton & MGM

The authorized documentary celebrating the film that redefined Hollywood, 50 years after its premiere. Featuring rare archival footage and interviews with acclaimed Hollywood directors alongside Steven Spielberg, top shark scientists, and conservationists, the film uncovers the behind-the-scenes chaos and how the film launched the summer blockbuster, inspired a new wave of filmmakers, and paved the way for shark conservation that continues today.

Retrospective interview with Gina Gershon and Jennifer Tilly included with the 2014 Blu-ray by Arrow Video.

Steve Coogan, an arrogant actor with low self-esteem and a complicated love life, is playing the eponymous role in an adaptation of "The Life and Opinions of Tristram Shandy, Gentleman" being filmed at a stately home. He constantly spars with actor Rob Brydon, who is playing Uncle Toby and believes his role to be of equal importance to Coogan's.

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

Kirby Dick's provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America rates films, revealing the organization's underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence.

Jean Rochefort, Jean-Pierre Marielle, Philippe Noiret - This is the story of a bunch of friends. Comedian buddies. Actors who dreamed of the Conservatory and the National Theater of Paris. The theater was their ideal, cinema will be their paradise. Their friend Jean-Paul Belmondo, the relaxed Parisian, who failed the entrance exam, will make sparks fly. Rochefort, Marielle and Noiret, the three provincials, will climb the steps of recognition one by one. From the little cabarets on the Left Bank to the TV shows of the Buttes-Chaumont pioneers. From the second roles to the first and from the B movies to the classics.

When the silent cinema learned to speak, the audience was surprised not only by the voices of the actors and the sound effects, but also by a new element, the music, which, combined with the dance and an unprejudiced imagination, gave rise to a new genre, as important to Hollywood cinema as the western was: the musical. A journey through the history of this genre, from its beginnings to the present day.

Documentary about the original 1986 film Critters. Features interviews with actors Dee Wallace, Don Opper, Terrence Mann, and Lin Shaye; producer Barry Opper; writer Brian Muir; critter designers and voice actors; and many more.

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."

Documentary about the life and career of a comic genius, Peter Sellers.

Memories from the making of the classic Milos Forman film "Ragtime".

This documentary treats movie fans to a behind-the-scenes look at the making of Max Keeble's Big Move, about a young boy who uses his imminent move to another town as his big chance for revenge on everyone who's tormented him, only to have his plan backfire. Included are interviews with the cast and crew who talk about the experience of making the film, as well as all of the effort that went into it.

Shaft: Still the Man

The life of Donald M. Morgan, one of Hollywood’s most prolific artists, is a unique, rags-to-riches story about a man who’s had a life-changing effect on the people around him, both personally and professionally. By sharing stories of his lengthy career, working with filmmakers like Robert Zemeckis, John Carpenter and Joseph Sargent, Morgan recounts pivotal moments in the art of filmmaking for over four decades, through interviews with fellow greats Owen Roizman (The Exorcist) and Jack N. Green (Unforgiven). But at the heart of the film is an emotional journey along the road to recovery in an industry that is ripe with dysfunction and addiction. Inspiring, heartbreaking, and funny, “Cinematographer” shares the story of one of the film industry's finest human beings.

This film is at once a self-portrait and an homage to Jean-Marie Straub, Farocki's role model and former teacher at the Film Academy.

Inside Traffic: The Making of 'Traffic'

A unique portrait of New York's iconic Raoul's Restaurant - told through the eyes of a filmmaker-turned-accidental-restaurateur who was trying to make a film about his father who is also a filmmaker-turned-accidental-restaurateur.

A look at the legendary Czech sound designer and his profession. Editor and documentary filmmaker Adéla Špaljová has her father Ivo Špalj talk about his life, career, and working methods. Over the course of his long life, sound designer Ivo Špalj (*1940) has collaborated on hundreds of films and become a mentor for at least one generation of men and women behind the mixing board. This gentle documentary also shows “Engi” (as he is known to his colleagues) again working with Jan Švankmajer, whose films he has lent their typical, dense, and sophisticated sound mix.