This short was released in connection with the 20th anniversary of Warner Brothers' first exhibition of the Vitaphone sound-on-film process on 6 August 1926. The film highlights Thomas A. Edison and Alexander Graham Bell's efforts that contributed to sound movies and acknowledges the work of Lee De Forest. Brief excerpts from the August 1926 exhibition follow. Clips are then shown from a number of Warner Brothers features, four from the 1920s, the remainder from 1946/47.
Daniel Anker’s 90-minute documentary takes on over 60 years of a very complex subject: Hollywood’s complicated, often contradictory relationship with Nazi Germany and the Holocaust. The questions it raises go right the very nature of how film functions in our culture, and while hardly exhaustive, Anker’s film makes for a good, thought provoking starting point.
In the aftermath of Stonewall, a newly politicized Vito Russo found his voice as a gay activist and critic of LGBTQ+ representation in the media. He went on to write "The Celluloid Closet", the first book to critique Hollywood's portrayals of gays on screen. During the AIDS crisis in the 1980s, Vito became a passionate advocate for justice via the newly formed ACT UP, before his death in 1990.
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
Mock -documentary about a Finnish contemporary artist who took the world by a storm.
Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.
Girl next door, activist, so-called traitor, fitness tycoon, Oscar winner: Jane Fonda has lived a life of controversy, tragedy and transformation – and she’s done it all in the public eye. An intimate look at one woman’s singular journey.
Jean-Luc Godard's acceptance video for the 2015 'Prix d’honneur'.
A behind the scenes look at the making of the movie M*A*S*H. The documentary reveals all of the chaos, politics, and conflict that was going on behind the scenes during production of the movie through new interviews done with director Robert Altman as well as Richard Zanuck, who was head of production for 20th Century Fox at the time, and others.
The life and legacy of Marlon Brando and how he changed acting.
The story of how the classic epic "Ben-Hur" was made.
A partially-animated documentary about the preservation and restoration of the canal system in Yanagawa, Fukuoka
A documentary about the life and work of director Rainer Werner Fassbinder.
Matthew Sweet explores his rules of 1940s and 50s American film noir thrillers.
Kyra Gardner's loving tribute to growing up in the world of the psycho killer doll, Chucky.
The history of Playboy magazine as told by Hugh Hefner.
The history of color photography in motion pictures, in particular the Technicolor company's work.
Film historians examines the making of the 1938 "The Adventures of Robin Hood."
The epic story of how the film The African Queen (1951), directed by John Huston and starring Humphrey Bogart and Katharine Hepburn, was shot on real African locations, barely overcoming all kinds of hardships and disasters.
In 1908, amateur naturalist and pioneering filmmaker Percy Smith stunned early cinema goers with his footage of the juggling fly. Hailed as the father of Natural History film, Smith was a hugely influential visual pioneer, inventing many techniques that are still used today. Being both a genius and an eccentric, we follow his life from his earliest films, to the collapse of his house from his mould experiment to his ultimate suicide. We also meet Natural History icon Sir David Attenborough, who was so amazed by Smith’s films in the 1930s that they inspired him to get into natural history.