The Painter's Voice

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

Artist Grayson Perry has been working behind the scenes at the British Museum to stage his most ambitious show yet: The Tomb of the Unknown Craftsman. Given free rein to choose whatever he wants from the Museum's vast collections, Perry has also produced some 25 new works of art, from his trademark ceramics to a working motorbike. Imagine follows Perry for more than two years as he creates his own imaginary civilisation at the heart of the British Museum.

How the art in the Detroit Institute of Art connects to life's experiences and the neighborhood.

Hinter dem Vorhang: Das Geheimnis Vermeer

Originally produced in 1997 on the threshold of the Third Millennium of the Christian Era, and in celebration of the Jubilee of the Year of Our Lord 2000, The Vatican Museums was the culmination of three years of research and filming, the collaboration of thirty-two scholars and historians from around the world, a crew of forty directors of photography, operators, and lighting technicians, state-of-the-art digital cinematography, lighting, animation, and computerized editing, and the work of a famous composer with original performances by master musicians. Now available on DVD for the first time, this historic three-disc collection features seven hours of magnificent documentary film that illuminates and chronicles the great journey of the human spirit. Here then is the world's most spectacular and sacred repository of art, history, and faith.

To celebrate its 250th anniversary, this documentary tells the story of one of the world’s greatest museums, from its foundation by Catherine the Great, though to its status today as a breathtakingly beautiful complex which includes the Winter Palace. Showcasing a vast collection of the world’s greatest artworks together with contemporary art galleries and exhibitions, it holds over 3 million treasures and world class masterpieces in stunning architectural settings. This is its journey from Imperial Palace to State Museum, encompassing a sometimes troubled past, surviving both the Revolution in 1916 and the siege of Leningrad by the Nazis in 1941-44.

A documentary about the fascinating and complicated process of the rebuilding of Holland's most famous museum, The Rijksmuseum. The film shows the people behind the scenes during the years of demolition, restoration, and political and financial debate. We witness their efforts, joys and struggles with one goal in common: the love of art.

Newly edited version of Luigi Cozzi's 1997 documentary "Il mondo di Dario Argento 3: Il museo degli orrori di Dario Argento" focusing on the museum-part of the "Profondo Rosso" shop.

'Orsay

As part of a high-tech forensic probe into the demise of Egyptian Pharaoh Tutankhamun, scientists use X-rays and CT scans as they attempt to reach a conclusion about just how this famed king died. In addition, they explore the mysterious curse on explorers linked to Tut's tomb excavation.

Documentary about Dario Argento, "Profondo Rosso" shop in Rome, and most important works throughout his career.

ABLAZE premiered at the 27th Singapore Film Festival, November 24, 2016

Maurizio is a young university student living in Zürich, with a passion for diseases. Unlike many others, he can see an inherent beauty in them. Afterall, what difference can exist between a flower and an infection, if they are both a gift of nature?

A single channel video featuring the American artist Andrea Fraser as she walks around the atrium of the Guggenheim Bilbao listening to the institution’s audio guide. After an initial shot of the entrance, the video shows Fraser wearing a short green dress and high heels picking up an audio guide inside. Once she begins listening to the guide the soundtrack changes so that the viewer also hears the same male voice as the artist (and without any background noise). Shot with five hidden cameras – one on Fraser herself and four others operated by assistants moving around the atrium – Little Frank and His Carp depicts Fraser from varying angles and proximities as she initially follows the audio guide’s instructions closely, her emotions visibly changing in response to the material she hears. Told that modern art is ‘demanding, complicated, bewildering’, she appears anxious, but when the guide tells her ‘the museum tries to make you feel at home’, she immediately seems reassured and happy.

This rare film tells the strange, disquieting and protracted story of the restoration of Leonardo da Vinci’s famous masterpiece, The Last Supper. Some say the results of the restoration are glorious. Others have called them tragic. Da Vinci’s famously fragile fresco was always going to be a challenge for its secretive Italian restorers. No one, however, could have foreseen how problematic and strange their task would become. Marked by a series of extraordinary mishaps, mistakes, and miscalculations, the incredible restoration is hilarious to watch but may have resulted in the loss of a masterpiece.

Documentary tour of the "Rembrandt: Late Works" exhibit at the National Gallery, London and subsequently at the Rijksmuseum, Amsterdam.

In the aftermath of the fire that struck Notre-Dame de Paris in 2019, the cathedral is in danger of collapsing. A race against time begins for a hundred men and women who will face danger, the unknown, and toxic lead dust for a year to save this world heritage site. Architects, stonemasons, carpenters, crane operators, scaffolders, rope access technicians, archaeologists: this unique project brings together rare skills. With rare enthusiasm and cohesion, they will achieve numerous technical and human feats. This film recounts the spectacular and moving adventure of these builders fighting to save Notre Dame.

Four French museums, the Louvre, the Quai Branly, the French National Library, and the Rouen Museum, are faced with pressing demands for the return of works of art. The number of demands is multiplying. They come from all over the world, and in particular from Egypt, Mali and New Zealand. The question of returning works of art to their countries of origin is increasingly making news. Take for example the emotions aroused by President Sarkozy’s decision, on the 12th November 2010, to return 297 royal manuscripts to South Korea. The ensuing row involved diametrically opposed points of view. Was it a violation of the principle of inalienability of France’s national collections or was it a just reparation for the victims of colonization? The rich countries’ great museums and the countries of origin have completely different visions of the issue. The museums defend the idea of a universal museum whose works belong to the whole of humanity.

The story is not only about Ukrainian museums during a full-scale war, but about the survival of our culture in general. The occupiers are trying to destroy it and steal it, but thanks to museum workers, it is not only being protected, but also multiplied.

The award winner Japanese architect Toyo Ito designed the International Baroque Museum in Puebla, Mexico. He is well known for his majestic buildings in Europe and Asia that rise with nature inspired geometry and complex shapes that could belong in a fantasy. Nobody knew how to build this project until a team of Mexican constructors accepted the challenge after two years of nobody stepping up to it. But there was a catch. They only had 27 weeks to build something comparable to the Guggenheim in NYC. This is the story of that team who tested the Mexican genius to solve a complex puzzle told by the men and women who made it. On time. On a budget. Against all odds.