De Engel En Haar Reflectie
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Wonderwall Guy brings his guitar to a party to impress girls and just won’t leave. A group of the fed up partygoers band together to try and get him out of there, but something unexpected happens…
A hybrid artistic bet and therefore binding in which the architectural space ceases to be a scene of contemplation and awakens enhanced by the flow of dance whose impulse in a swing between the volumetry of the space and the sensitive gaze of the camera.
Cole Porter times three! Al Kemp and His Orchestra swing "Begin the Beguine," Emil Coleman and His Orchestra sell us "Just One of Those Things," and Skinnay Ennis and His Orchestra love some "(Let's Do It) Let's Fall in Love."
God sends his best angel to Earth to carry out a delicate mission.
A beautifully fluid sand animation inspired by Camille Saint-Saëns' piece, 'Danse Macabre.'
The action takes place in the middle of the 18th century in France. A young woman and the man prepared to enter into a duel with pistols, in the presence of woman in the red. Libertine kills a person and flees on a white horse, while the woman in red is threatening revenge.
A romantic drama about two couples shifting sexual dynamics over one night in a music bar.
"Highway Hypnosis" - alternatively referred to as "white line fever" - is a dazed state in which a driver may travel long stretches of open road in a compliant and normal fashion, yet with little-to-no recollection of how their destination was reached.
Painful events become memories over time. Still, we vomit and eat again. Life is Eco.
Midsummer celebration with dance and courtship in the idyllic Swedish landscape.
A bullied teenage girl leads a glee club on a trail of destruction against her high school enemies.
Concert film from The All-American Rejects an American rock band from Stillwater, Oklahoma, formed in 1999.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
Undead dark riders invade a wild west saloon, blasting away everyone in sight - now only a bad-ass Native American warrior can save the town.
A sheltered boy with a dream of starring on Broadway survives day-to-day life by imagining the world as a musical.
Tina, a singing Gypsy with a band of roving gypsies, is invited by Tom to come over to his mother's estate where a lawn party is in progress. She brings along her friends and a whole caravan of gypsies take over the green, telling fortunes, singing and dancing. Most of the comedy is supplied by the kleptomaniac butler, Bellingham, and his employer who humors his nutty ways...as good help seems to be hard to find.
Kappo
The word kewaaj (কেওয়াজ) is colloquially used to explain chaos, noisiness or annoyance. "Kewaaj" is an audiovisual attempt to give you a glimpse into how the people of Dhaka function in one of the most unliveable cities, according to the Global Liveability Index.