The Last Season: Shawaks

Sarikecilis are the last representatives in Anatolia of the centuries-old tradition of nomadism. Making their way to sea level in winter, and to the highlands in summer, they spend seven months of the year in transit, living off of the goats they keep. This documentary film is telling the story of the last Nomadic tribe in Anatolia within their natural habitat.

A documentary on the experiences of the Nubetya Yaptiks nomadic family in the Yamal Peninsula, Eastern Siberia, from 1992 to 2001.

Like an antipodean version of Romeo and Juliet, it emerges that Warri and Yatungka became the last nomads because they had married outside their tribal laws and eloped to the most inaccessible of regions. In 1977 the land was stricken by a severe drought and their tribal elders mounted a search for them with the help of a party of white men led by Dr Bill Peasley and one of their own number, a childhood friend named Mudjon. The film takes Dr Peasley back into the desert to relive his momentous journey with Mudjon and culminates with poignant archival footage of the elderly couple found naked and starving.

Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.

Explorer Bruce Parry visits nomadic tribes in Borneo and the Amazon in hope to better understand humanity's changing relationship with the world around us.

Imagine one of the most remote wildernesses in the world. Granddaughter Masha and Vladimir, the protagonists of this story from Central Siberia try the impossible to keep their nomadic traditions alive.

Aslı Erdoğan, world-renowned author and activist, has fallen into silence after she fled to Germany. Incomplete Sentences is a feature documentary on her literature and life, leading to exile in Frankfurt, after the Turkish regime’s oppression results in her unlawful imprisonment. Now, she struggles in exile while everybody is waiting for her to write again. Right after getting out of prison Aslı starts telling her story to the director, wandering in the streets of Istanbul she recites parts from her books and explains the stories behind. When Aslı goes to Germany to receive the Erich Maria Remarque Award she cannot return; thus her exile, which she likens to a semi-open prison, begins. As her health deteriorates and keeps her from writing, the tragedy in her books becomes her own reality.

The last two surviving members of the Piripkura people, a nomadic tribe in the Mato Grosso region of Brazil, struggle to maintain their indigenous way of life amidst the region's massive deforestation. Living deep in the rainforest, Pakyî and Tamandua live off the land relying on a machete, an ax, and a torch lit in 1998.

This shocking documentary chronicles a happy-go-lucky nomad's ascent to viral stardom and the steep downward spiral that resulted in his imprisonment.

The Kurdish Iraqi poet and actor Zeravan Khalil travels with his dog through an Alpine gorge after fleeing from IS war and genocide. As he remembers the abomination, he writes a poem with the title “You drive me mad” in Kurmanji Kurdish. In his home country, Yazidic Kurds are forbidden to work in his profession. Then he eats his apple and wanders through Europe’s middle with more hope.

Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.

Director Hüseyin Tabak explores the legacy of Yilmaz Güney — political dissident, convicted murderer, and visionary Kurdish filmmaker — who directed the 1982 Palme d'Or–winning Yol from inside prison and died in exile just two years later.

AMIN portrays Qashqai musician Amin Aghaie, a young modern nomad and his family who despite facing steep financial, cultural and political obstacles are dedicated to their art and culture. Amin travels to remote towns and villages to record the music of the surviving masters whose numbers decline each year. His nomadic family are selling their meager belongings to help support their son's education in performance and ethnomusicology at Tchaikovsky's Conservatory in Kyiv, Ukraine, but it is not enough. Amin, desperate to finish his academic education, sells his violins one at a time just to pay for his tuition.

A mockumentary about Turkey-based Kurdish film director, scenarist, novelist, and actor Yilmaz Güney, shot three years after the filmmaker's death. It's also a political portrait of 20th century Turkey.

A couple of artists travels through the Mexico desert to present their puppet show.

In recent years, the number of people living in a bus or camper has increased significantly. But for this growing group, there are fewer and fewer places where you can legally park. The Kardinge car park in Groningen, a popular refuge for people staying in their campers, is also under pressure. Does the Netherlands actually have room for nomads and what drives people to want to live off the beaten track? Filmmaker Tom Tieman temporarily goes into hiding at the Kardinge car park and meets the current residents. Read more

KÖY (Turkish for village) is about the longing for home, for belonging and the freedom of the self. Three women from three generations are united by their Kurdish roots.

A disturbing portrait of four Western volunteers who risk their lives to fight ISIS alongside Kurdish forces. The feature documentary 'My War' probes the complex motives behind the need to take up arms on someone else’s behalf.

This documentary discusses how LGBTIQA+ people experience the streets and nightlife of Istanbul in terms of a safe space through the unique, yet common experiences of queers from different backgrounds, and focuses especially on nightlife and the issue of safe space there, which is a very critical area for queers to exist as they are.

“Binxet – Under the border” is a journey between life and death, dignity and pain, struggle and freedom. It takes place along the 911 km of the turkish-Syrian border. On the one hand the ISIS, in the other Erdogan’s Turkey. In the middle the borders and one hope. This hope is called Rojava, only one point on the chart of a troubled region, a region of resistance and an example of grassroots democracy that speaks about gender equality, self-determination of peoples and peaceful coexistence.