The Sheik and I

Here are theatrical trailers for 27 mainstream and art-house films, presented chronologically from "Tea and Sympathy" to "Outrageous!" This spectacular showcase of vintage movie trailers offers a crash course in lesbian, gay, bi and transgender (LGBT) movie history and a colorful look at nearly every major mainstream queer-themed film produced between 1953 and 1977! Archivist Jenni Olson is one of the world’s leading experts on LGBT film history — curated from her private collection of rare original 35mm coming attractions trailers, Homo Promo has entertained audiences at LGBT film festivals around the world offering a campy cavalcade of coming attractions. Please note: The condition of these original 35mm archival prints varies — enjoy the wear and tear and rest assured that they have now all been donated to the Outfest/UCLA Legacy Project for LGBT Film Preservation where they are now being properly cared for.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A home movie by Adolfas Mekas and wife Pola Chapelle on their travels to Lithuania and Europe. It was filmed concurrently with the more highly regarded “Reminiscences of a Journey to Lithuania” by Jonas Mekas, brother to Adolfas.

A documentary about the cultural effect of film censorship, focusing on the tumultuous times of the teens and early 1920s in America.

"Impressões" rescues the history of the Brazilian press since 1808, when the "Correio Brasiliense" clandestinely reached Rio de Janeiro after being edited in London by Hipólito José da Costa, and spans until 1986. It's the first documentary to depict the history of the Brazilian journalistic press.

When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.

What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)

A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.

An essay film by filmmaker and archivist Sari Braithwaite, [Censored] offers an overview of film censorship in Australia, told through an ever-changing collage of images compiled from the footage that was cut from films released domestically between 1958 and 1971.

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

Depicts the case of religious persecution suffered by the Christian Pakistani Asia Bibi (Aasiya Noreen), falsely accused of blasphemy in 2010 by a Pakistani court and was sentenced to death by hanging. In October 2018, the Supreme Court of Pakistan acquitted her based on insufficient evidence, though she was not allowed to leave Pakistan until the verdict was reviewed. She was held under armed guard and was not able to leave the country until 7 May 2019; she arrived in Canada the next day.

2nd Edition of Loose Change documentary. What if...September 11th was not a surprise attack on America, but rather, a cold and calculated genocide by our own government?We were told that the twin towers were hit by commercial jetliners and subsequently brought down by jet fuel. We were told that the Pentagon was hit by a Boeing 757. We were told that flight 93 crashed in Shanksville, Pennsylvania. We were told that nineteen Arabs from halfway across the globe, acting under orders from Osama Bin Laden, were responsible. What you will see here will prove without a shadow of a doubt that everything you know about 9/11 is a complete fabrication. Conspiracy theory? It's not a theory if you can prove it.Written and narrated by Dylan Avery, this film presents a rebuttal to the official version of the September 11, 2001 terrorist attacks and the 9/11 Commission Report.

A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

OBAIDA, a short film by Matthew Cassel, explores a Palestinian child’s experience of Israeli military arrest. Each year, some 700 Palestinian children undergo military detention in a system where ill-treatment is widespread and institutionalized. For these young detainees, few rights are guaranteed, even on paper. After release, the experience of detention continues to shape and mark former child prisoners’ path forward.

Capping a season with more twists and turns than any Colorado slalom course, the Denver Broncos are once again Super Bowl champions! The incredible story of Peyton Manning, Gary Kubiak, pro football's best defense and the rest of the 2015 Broncos is now yours to own. From the season opening kickoff to the crowning glory of the Denver's 24-10 victory over the Carolina Panthers in Super Bowl 50, NFL Film documents every big plan in the Broncos triumphant season with amazing game footage, exclusive sideline sounds and game wires and the pulse-pounding music that will make you want next season to start tomorrow. Denver Broncos Super Bowl 50 Champions also features exciting profiles from NFL Network and the best shots and sounds of the entire 2015 season. It s a must have for any Broncos fan.

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.