Temporality in Movement

A self-reflexive, multi-portrait film following the filmmaker, Emma Barda, and other queer artists exploring queerness and gender identity through their art. The film takes a deep dive on how queer / gender non-conforming people interpret and represent body and gender identity through various facets of art and identity, with the aim to showcase the unique and wonderful world of queerness.

Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C., jail.

Award Winning Documentary on the Life of Artist Robert Shields. “Robert Shields: My Life as a Robot” is a documentary that will make you believe that your actions can have an inspirational effect on so many lives - and you may not even be aware of it. An icon of the 70’s, Robert began his career doing his robot in front of the Hollywood Wax Museum and a few short years later had his own top rated Prime Time CBS Variety show with his beautiful wife Lorene called: “The Shields & Yarnell Show”. And along the way, unbeknownst to him, he created ripples that define an art form to this day. This film may not save the environment, it won’t take on a corrupt corporation nor will it make you write your congress person. What it will do is make you laugh, bring you wonder and joy and introduce you to a man who makes you believe that anything is possible… including (and don’t try this at home!) Street Skiing in downtown San Francisco!

Singapore is a football nation. Every weekend, thousands of amateur players, from schoolboys to office executives to retirees, gather to play the Beautiful Game. Not for glory, not for fame; but for passion, football and friendship. This spirit is forged in the neighbourhoods; void decks, street soccer courts, open fields or any patch of grass. All across Singapore, footballers have a place they call their ‘Homeground’. For the first time, this football culture is captured on film. Homeground is a love letter to playing spaces we call home, and a tribute to all amateur footballers in Singapore

In the summer of 1900, the first film camera was purchased by Mozaffar ad-Din Shah Qajar for Iran, and immediately the first Iranian moving images were captured by this camera. These images, in an obsessive manner, have embodied the mesmerized gaze of people. In the span of 79 years since the purchase of this camera, Iran has undergone two revolutions and two coups, and throughout all these moments, the camera has been present as the recorder of people's mesmerized gazes. These mesmerized gazes are in a way as if they are the ones looking at us, not the other way around. It seems like these gazes are trying to convey something, but what? No one knows. Now, we gaze at those who have gazed at us from a distant time.

This short documentary shows Canada's top swimmers in training for the 1964 Olympic Games. Under the critical eye of coach Ed Healy, they practice long hours in the gym and in the pool to build strength and stamina.

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.

VIVA ÁGUA is a meditation on the philosophical work entitled ÁGUA VIVA written by Clarice Lispector in 1973. The film reflects on Lispector’s interior experimental monologue on the “instant-now” of time, the discomforts of language which are “beyond thought” and the harmonious dissonant reminders and remainders of that “sometime what is seen is ineffable.”

On June 14, 1977, the eve of the first democratic elections after Franco's regime, Llorenç Soler and his crew go out into the street and ask passers-by which party they are going to vote for.

A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.

A group of four women band together to make rock climbing more accessible in Banff. Every run is a puzzle waiting to be solved, and if the Crush Collective has anything to do with it, gender norms will not be part of the equation.

In this documentary, survivors recall the catastrophic 2018 Camp Fire, which razed the town of Paradise and became California’s deadliest wildfire.

Bubble is a short film performed by Zeena Parkins and the Plastic Girls, Eleanor Hullihan and Erin Cornell in a public park in Brooklyn, NY.

A silent film portraying winter across three continents.

The story of a LGBTQIA+ child told through old images from VHS tapes. The videos were recorded by Vicente's father between 1987 and 1993.

A many-faced view of humanity, of global man in all his forms and interests. Produced originally in 70 mm (with stereophonic sound) for showing at Man and His World, the Montréal fair that succeeded Expo 67, this film employs the multi-image technique. People of all places, origins, cultures, secular and religious, are here united and seen side by side, creating an impressive, inspiring and challenging portrait. The film's title appears in seven languages. Film without words.

Skateboard film from Element Skateboards. Sequel to Elementality: Volume One. Featuring Nyjah Huston, Bucky Lasek, Bam Margera, Mike Vallely and Jeremy Wray.

At only 19 years old, an Argentinian filmmaker emigrates to Miami looking for better opportunities. She soon finds herself falling for her very first boyfriend, someone she thought was good for her. That would quickly change, making her feel trapped in an abusive relationship that she would hide from everyone around her for years. In a detailed search for healing, she explores the events that led to the morning when he sexually assaulted her to understand that she is not to blame.

The film shows the flag handover and swearing-in ceremony of the first unit of the National People's Army on the eve of May 1, 1956 and the parade of units of the People's Army on the morning of May 1.

Short film directed by Traudl Kulikowsky