For 'Et les chiens se taisaient' Maldoror adapted a piece of theatre by the poet and politician Aimé Césaire (1913–2008), about a rebel who becomes profoundly aware of his otherness when condemned to death. His existential dialogue with his mother reverberates around the African sculptures on display at the Musée de l'Homme, a Parisian museum full of colonial plunder whose director was the Surrealist anthropologist Michel Leiris.
The true story of the neighborhood that inspired David Simon's fictional HBO television series "Tremé", from slave revolts and underground free black antebellum resistance through post-Katrina rebuilding, set to a fabulous soundtrack of New Orleans music through the ages.
The story of the Yuma Crossing, the place where centuries of travelers crossed the Colorado River as told in a series of reenacted vignettes by colorful characters from the Quechan tribe, the conquistadores, Father Kino, Olive Oatman and others up until the first bridge was built in the 1920's.
A film made by Victress Hitchcock and Ava Hamilton in 1989 on the Wind River Reservation for Wyoming Public Television.
The fourth film in Alanis Obomsawin's landmark series on the Oka crisis uses a single, shameful incident as a lens through which to examine the region's long history of prejudice and injustice against the Mohawk population.
In North Dakota an Indian nation finds itself at a critical moment in its long history. The Three Affiliated Tribes face catastrophic damage to their land and culture as a result of the recent oil boom on the Fort Berthold Reservation.
The story behind Johnny Cash's lost Native American-themed concept album and his unique collaboration with folk artist Peter Lafarge. The film also chronicles the reimagining of Cash's highly controversial 1964 record on its 50th anniversary, as recorded at Nashville's historic Sound Emporium Studios. Based on Antonino D'Ambrosio's book "A Heartbeat and a Guitar: Johnny Cash and the Making of Bitter Tears."
Maurice Hines, a charming, gay African-American entertainer navigates the complications of show business while grieving the loss of his more famous, often estranged younger brother, tap dance legend Gregory Hines.
The astonishing, heartbreaking, inspiring, and largely-untold story of Native Americans in the United States military. Why do they do it? Why would Indian men and women put their lives on the line for the very government that took their homelands?
Documentation of the encroachment of European settlers upon Native American lands and the violent reaction of the Indians in their struggle to survive.
A dizzying view of Manhattan in the 1960s, the tallest town in the world, and the men who work cloud-high to keep it growing. They are the Mohawk Indians from Kahnawake, near Montréal, famed for their skill in erecting the steel frames of skyscrapers. The film shows their nimble work, high above the pavement, but there are also glimpses of the quieter community life of the old Kahnawake Reserve.
At the farthest edge of the Navajo Nation, the purpose and future of the most remote high school in the continental United States is in question while three Indigenous youth grapple with ambitious dreams, family responsibilities, and the isolated nature of their community.
John Henrik Clarke talks about Black history.
American Indians dancing.
Walter Littlemoon attended a federal Indian boarding school in South Dakota sixty years ago. The mission of many of these schools in 1950, was still to “kill the Indian and save the man.” The children were beaten, humiliated or abused if they spoke their language or expressed their culture or native identity in any way. The trauma led many to alcoholism and violence in adulthood. At age 58, Walter began writing his memoirs as a way to explain his own abusive behaviors to his estranged children, but he could not complete the project without confronting the “thick dark fog” of his past so he could heal.
Using innovative animation and expert insights, this documentary based on Ibram X. Kendi's bestseller explores the history of racist ideas in America.
19 year old Bert sits in the shade of a tree in Yo Park. Cassandra Warrior feeds her daughter Diamond Rose. Daniel Runs Close sweats under the sun at Wounded Knee Memorial site. Kassel Sky Little puts his boots on at the Waters Rodeo. Vanessa Piper is alone in the middle of Badlands. Lance Red Cloud hangs out behind the gas station at night. It is summer and they all live here, at the Pine Ridge Reservation in South Dakota, USA.
Henry Browne, an African American farmer, and his family are profiled in this film. The important job of a farmer during times of war is highlighted, specifically his efforts growing peanuts and cotton. This role is made even more poingnant when they visit the eldest son who is a cadet in the 99th Pursuit Squadron.
For millennia, Native Americans successfully stewarded and shaped their landscapes, but centuries of colonization have disrupted their ability to maintain their traditional land management practices. From deserts, coastlines, forests, mountains, and prairies, Native communities across the US are restoring their ancient relationships with the land. As the climate crisis escalates these time-tested practices of North America's original inhabitants are becoming increasingly essential in a rapidly changing world.
Through the figure of Lakota activist and community organizer Madonna Thunder Hawk, this inspiring film traces the untold story of countless Native American women struggling for their people's civil rights. Spanning several decades, Christina D. King and Elizabeth A. Castle's documentary charts Thunder Hawk's lifelong commitment, from her early involvement in the American Indian Movement (AIM), to her pivotal role in the founding of Women of All Red Nations, to her heartening presence at Standing Rock alongside thousands protesting the Dakota Access Pipeline. She passed her dedication and hunger for change to her daughter Marcy, even if that often meant feeling like comrades-in-arms more than mother and child. Through rare archival material—including amazing footage of AIM's occupation of Wounded Knee—and an Indigenous style of circular storytelling, Warrior Women rekindles the memories and legacy of the Red Power movement's matriarchs.