A Home with the Street Inside It

"Mr and Mrs Art" - Getting attention is like being struck by the light of the sun, says artist Karin "Mamma" Anderson. If you are lucky you are hit by its rays for a short while during a lifetime, but the light is transient. Artists Karin "Mamma" Andersson and Jockum Nordström bathing in the light of fame. Few other artist couples in Sweden can compete with them in terms of attention and success. They exhibit at all the major galleries and fairs around the world, win prizes and are constantly in demand. Filmmaker Bengt Bok has followed the couple from studio to venue and talked about the conditions of creation and the sweetness and the taste of blood in fame and being famous.

This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.

How the art in the Detroit Institute of Art connects to life's experiences and the neighborhood.

With the five-part Cremaster Cycle of films, multi-award-winning artist Matthew Barney invented a densely layered and interconnected sculptural world that surreally combines sports, biology, sexuality, history, and mythology as it organically evolves. In this program, Barney, Guggenheim curator Nancy Spector, and others deconstruct the Cycle’s filming and subsequent translation into sculptural installations. The locations, characters, and symbols that organize the Cycle films; the Cycle installations as spatial content carriers and extensions of the performances; and objectification of the body and undifferentiated sexuality are addressed, as are the intricacies of costuming, makeup, and sculpting with Barney’s signature materials: plastic, metal, and Vaseline.

This movie chronicles the life and times of R. Crumb. Robert Crumb is the cartoonist/artist who drew Keep On Truckin', Fritz the Cat, and played a major pioneering role in the genesis of underground comix. Through interviews with his mother, two brothers, wife, ex-wife and ex-girlfriends, as well as selections from his vast quantity of graphic art, we are treated to a darkly comic ride through one man's subconscious mind.

“This is a film about the end of a friendship. It wasn’t meant to be. Fifteen years ago, they painted my portrait.” (Mariano Llinás)

Cleto Rojas, a peasant painter in Venezuela, discusses his artwork. From movies and Roman mythology to his own dreams and scenes of rural life, Rojas takes inspiration from all sources and transforms the world around him into fantastic visions. He teaches village children his technique of using house-paint on canvas, as his wife goes about her own housework, singing slowly. The painter is bemused by the attention of anthropologists and art critics, and he talks about the pitfalls of attention. He remembers traveling to Caracas as a young man to meet famous painters and being disappointed in them. His ambitions are more focused on the content of his work - Rojas wishes he could envision and paint one of Venezuela's heroes, Simon Boilvar, as he really was, as no accurate representations exist now. Without looking for fame, he continues painting all kinds of images as he sees them.

Actor Mark Bonnar is on a mission to understand more about the Scottish new towns in which he grew up, exploring the street sculpture made by artists such as his dad in the 60s, 70s and 80s. He discovers why the new towns are there and how they enticed people out of the bigger cities, and uncovers the surprising ways in which public art changed the new towns and the new towns changed public art. Mark's father, Stan, made sculptures that stand to this day on the streets of Glenrothes, East Kilbride and the Scottish new town that never was, Stonehouse. These new towns employed town artists to make artworks in the very housing precincts the new residents were moving into.

The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.

Born in 1873 in a poor neighbourhood in Naples, Enrico Caruso conquered the world with his singing voice. At the age of 27 he got a contract at the Scala in Milan, and his already considerable popularity skyrocketed thanks to the invention of the gramophone. He sold millions of records, and garnered international acclaim. In 1903 he moved to New York to perform at the prestigious Metropolitan Opera, in the role of Radames. But his riches and fame attracted the attention of the Mafia, who started blackmailing him. He felt trapped by his fame and died at just 48 years old. Biographer Francesco Canessa, the music critic Jürgen Kesting and the composer Micha Hamel explain the ups and downs of the man behind the timeless Italian voice.

The decision to move to Holland doesn't sound like a wise idea. Why move to a country that could be flooded at any moment? For the last 25 years, the political climate has shifted. The public debate on migration has become harsher, more heated, and polarized. What would have been considered right-wing xenophobia back then, is now considered mainstream. Populists simplify complex realities into good and evil, victims and perpetrators: ‘us’ versus ‘them’. Their rhetoric often consists of dehumanizing words and metaphors. One of these is ‘water’. In reality, water is not an immediate threat to the average Dutch person; but it is a huge threat to the thousands trying to reach the Netherlands. People trying to survive the Mediterranean Sea in rubber boats. Trying to survive winter on the Aegean coast in primitive tents. To them, water really is deadly.

With loans from across the world, this major retrospective will bring together Vermeer’s most famous masterpieces including Girl with a Pearl Earring, The Geographer, The Milkmaid, The Little Street, Lady Writing a Letter with her Maid, and Woman Holding a Balance. This film invites audiences to a private view of the exhibition, accompanied by the director of the Rijksmuseum and the curator of the show.

One of the best-known Chinese figurative painters, Liu Xiaodong goes back to his hometown of Jincheng, in the province of Liaoning (North-East China), to re-paint again friends and relatives after several years have gone by. With a soundtrack by famed composer Lim Giong (Millennium Mambo, The Assassin).

Director Philip Haas and artist David Hockney invite you to join them on a magical journey through China via a marvelous 72-foot long 17th-century Chinese scroll entitled The Kangxi Emperor's Southern Inspection Tour (1691-1698), scroll seven . As Hockney unrolls the beautiful and minutely detailed work of art, he traces the Emperor Kangxi’s second tour of his southern empire in 1689.

Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.

A picture about the fine art of prehistoric times, the remains of which have been found in various places on the European continent.

The first part of the documentary about the work of the Czech painter Mikoláš Alš called "The Song of Life", which focuses on the part of his work that draws its themes from life in the village.

The second part of the documentary about the work of the Czech painter Mikoláš Alš called "Glorious Homeland", which focuses on the part of his work drawing on Czech history.

Painter Françoise Gilot shared Pablo Picasso's life from 1943 to 1953. This union nourished their respective artistic creations.

Nejslavnější betlém světa – geniální dílo třebechovického mistra Probošta