There is the Metro!

"Trotsky and Mexico, two revolutions of the twentieth century" tells us of the famous Russian revolutionary asylum by President Lazaro Cardenas in Mexico.

Tells the story of the tragic events in Ukraine in 1932-33, the genocidal Great Famine or the Holodomor, and one Welshman's attempts to tell the world what was happening.

A story to honor actor-singer-activist Paul Robeson and his contributions to today's social climate and inspire new generations to engage in the ongoing fight for justice and equality.

With the good of the people in mind, Valery Legasov, a Soviet scientist called to the scene of the Chernobyl nuclear disaster, stands up to censorship behind the Iron Curtain.

2019 marks the 30th year since the fall of the Berlin Wall and the end of the Cold War. Rich Hall examines the relationship between the West and the USSR in his inimitable fashion.

Compilation short film about the Communist Revolution and Soviet Union.

Thirty years after the Chernobyl disaster, which occurred on the night of April 26, 1986, its causes and consequences are examined. In addition, a report on efforts to strengthen the structures covering the core of the nuclear plant in order to better protect the population and the environment is offered.

The documentary tells two very different human fates in the 1920s Soviet Union. Nikolai Vavilov was a botanical genius, Trofim Lyssenko was an agronomist who made great promises and fake inventions. Each of them tried to solve the country's nutritional problem, but only one succeeded.

Albert Maysles' visual diary of the faces and places encountered along a cross country motorscooter ride through the Soviet Union in the late 1950s.

In 1955, Albert Maysles traveled by motorcycle throughout Russia. During this trip, he shot what was to become his first film, 'Psychiatry in Russia', an unprecedented view into Soviet mental healthcare. Originally televised by the David Garroway Show on NBC-TV in 1956.

“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.

At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.

Three decades after the nuclear explosion, almost everything has been said about this ecological and sanitary disaster that made Pripiat a part of History. How did the greatest industrial disaster change the course of History, disrupt global geopolitics and, directly or indirectly, redistribute the balances and power relations of the twentieth century? The world will never be the same again. By retracing the incredible battle waged by the Soviet Union against radiation, this film proposes to retrace and enlighten an extraordinary story, while exploring the historical stakes in the medium and long-term…

President Mikhail Gorbachev recounts the end of the Cold War and the reduction of nuclear arms.

The hippie movement that captivated hundreds of thousands of young people in the West had a profound impact on the other side of the Iron Curtain. Within the Soviet system, a colorful crowd of artists, musicians, freaks, vagabonds and other long-haired drop-outs created their own system, which connected those who believed in peace, love, and freedom for their bodies and souls. More than 40 years later, a group of eccentric hippies from Estonia take a road trip to Moscow where the hippies still gather annually on the 1st of June for celebration that is related to the tragic event in 1971, when thousands of Soviet hippies were arrested by the KGB. The journey through time and dimensions goes deep into the psychedelic underground world in which these people strived for freedom.

After she discovers canisters of undeveloped film shot by her late father, Elene sets out on a journey to collaborate with him on a special project. Between the earth and the land of the dead, a darkroom becomes the only dimension where the paths of a father and a daughter can cross.

Documentary film about the first St. Petersburg music club TaMtAm. It existed since 1991 upon 1996 and was held by Vsevolod Gakkel, ex-cellist of "Аквариум". The concept was modelled on cult NY club CBGB-OMFUG. Despite its controversial history this is the place where a new generation of Russian punk music was discovered.

This 1982 film explains the KGB infiltration of America. Who they are, what they are doing, and how well they have infiltrated North America.

Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.

Oľga Ondreičková is one of the exceptional figures of the first generation of Slovak architects. Her work is characterized by pragmatism, simplicity, and monumentality. Her husband is architect Pavel Ondreička, with whom she collaborated on several projects, as well as on the design of furniture, interiors, and artistic decorations. At the height of her career, Oľga Ondreičková led her own project team, which was rare for a woman at that time.