Spring Masks

"My last image of Jonas."—Ken Jacobs

6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.

Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.

A documentary about an up-and-coming young rapper with big aspirations.

Filmed in Rome in the 1980s, the work draws on Borromini’s Baroque architecture and Il Sassetta’s St. Martin and the Beggar. Beavers contrasts winter’s subdued light with the verdant growth of spring, constructing a precise montage in which image and sound form a poetic dialogue.

Interweaving stonework and filmmaking, Beavers evokes memory through hammer strokes and chisel sounds that shape both image and rhythm. In this dialogue of repetition and variation, the film carves out a space where emptiness itself gains form, allowing vision beyond sight.

Renowned artist Krzysztof Wodiczko creates powerful responses to the inequities and horrors of war. This in-depth investigation into the artist focuses on the recurring themes of war, trauma, and displacement in his work. An instigator for social change, Wodiczko’s powerful art interventions disrupt the valorization of state-sanctioned aggression.

Using only nature and his immediate surroundings, filmmaker Brandon Wilson creates an experimental documentary that ignites the imagination of wandering in nature, and creates a loving portrait to the woods he calls home. Over the course of a year, Wilson set out to document— and accentuate—his surroundings through camera filters, angles, repetition, and audio. The end result is a hypnotic journey through the hidden wonders and beauties of the Northwest forests, in vivid colors and immaculate black-and-whites.

2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.

Filmed during Jonas Mekas’s travels in 1981, this short captures scenes from Stockholm. The footage was later included in his 2003 compilation film Travel Songs (1967–1981).

Filmed during Jonas Mekas’s travels through Italy in 1967, this short captures scenes from the country’s cities and countryside. The footage was later included in his 2003 compilation film Travel Songs (1967–1981).

Filmed during Jonas Mekas’s visit to Assisi in 1967, this short documents his time in the city known for its spiritual associations. The footage was later incorporated into his 2003 compilation film Travel Songs (1967–1981).

Filmed in 2003 while staying in a Brooklyn Heights apartment, the work centers on a small Greek statue revealed in shifting morning and afternoon light. Beavers weaves these images with views of the East River and Manhattan Bridge, later completing the film in 2010 as a meditative elegy for his friend Jacques Dehornois.

Short documentary directed by Jean Vigo about the French swimmer Jean Taris. The film is notable for the many innovative techniques that Vigo uses, including close ups and freeze frames of the swimmer's body.

Something takes us underground, where gods and monsters are active, amid the ruins of a world they move around with their innumerable hands. Inspired by Fritz Lang and Richard Wagner, Remains is a daydream.

Captures the avant-garde artist Yayoi Kusamas creative process as she diligently works to complete her series of 50 large monochrome drawings. As her work comes to life, one can witness the essence of her art as it wells up in the conflict between life, death, and love.

Two screens of film about - and sometimes shot by - Claes Oldenburg, detailing his inspiration, his methods and his relationship with his partner Hannah Wilke.

Man Ray, the master of experimental and fashion photography was also a painter, a filmmaker, a poet, an essayist, a philosopher, and a leader of American modernism. Known for documenting the cultural elite living in France, Man Ray spent much of his time fighting the formal constraints of the visual arts. Ray’s life and art were always provocative, engaging, and challenging.