A feature-length documentary about the Free Kevin movement and the hacker world.
A behind-the-scenes look at the most famous lawyer of his generation as scandal threatens his career and legacy.
Scott Panetti was tried for the capital murder of his parents-in-law on September 8, 1992 in Gillespie County, Texas. He was subsequently sentenced to death on September 22, 1995. Panetti has an extensive history of mental illness, including schizophrenia, manic depression, auditory hallucinations and paranoia. Panetti was hospitalized, both voluntarily and involuntarily for mental illness fourteen times in six different hospitals before his arrest for capital murder in 1992. Following his conviction, Panetti’s former wife, and daughter of the victims, Sonja Alvarado, filed a petition stating that Panetti never should have been tried for the crimes as he was suffering from paranoid delusions at the time of the killings.
Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C., jail.
An investigative documentary that focuses on political activities in the 47th Ward of Chicago and on the relationship between party politics and the park district. Originally aired on local Chicago news station WBBM-TV in 1979, the documentary details machine politics, patronage, clientelism and bribery that ran rife in Chicago's 47th Ward under the helm of Democratic Party Committeeman Ed Kelly. The digitization of this program was made possible by a grant from The Brinson Foundation.
American Gospel explores the core question of Christianity, 'What is the gospel?' Through the distorting lens of American culture.
Farang, the Thai word for foreigner, is the story of chef Andy Ricker and how he spun a 25-year obsession with Northern Thailand into the hit success that is his Pok Pok restaurant empire.
In Denver, an intrepid activist runs for office with the aim of eliminating cash bail.
By the end of his illustrious career, Deputy U.S. Marshal Bass Reeves may well have been the preeminent lawman of the Old West. He brought upwards of 3,000 outlaws to justice and served in law enforcement for 32 years during Reconstruction after the Civil War. His story is one of an escape to freedom and the dangers of the West for a former slave who rose to become a legend of the law. Join us as we go in search of Bass Reeves.
The Boys Next Door is a short documentary in which director Bobbie Fay Brandsen examines how she should live together with her new neighbors, Mootie from Syria, Meron from Eritrea and Salihou from Senegal. A film about integration, cultural differences, idealism but even more about the question: 'can we, despite all our differences, live together and if yes, how?' This film is one of the graduation documentaries from the class of 2017 made by a crew entirely consisting of students of the Dutch Filmacademy.
A documentary that follows two men. One resigned from factory work to study composition because of his love for music. He has more than 100 original songs and once had a music career in Beijing. Eventually he returned to his hometown, Xuzhou, to make a living performing by the roadside because he could no longer afford to eat. The other was born in Taiwan before moving to Xuzhou to stay with his father's family in Xuzhou when he was 15 years old. Soon after his father died he taught himself the piano, music composition, MIDI music production. He had many students, including idols and stars, even as he still lives in a low-rent house, gets by selling e-waste, and educates people who love music for free. They are misfortune, ordinary, dressed in ragged clothes, and sing the most beautiful songs.
Frustrated by the liberal left and what he deems the destruction of the country he risked his life for, reclusive veteran Quint North (Schneider) is ordered by the court to keep his distance from the local high school with the American flag on the back of his El Camino or face a fine and jail time. In an ultimate exhibition of patriotism, he sets forth a series of events that just may get him killed in his own front yard.
"Arkansas is one of the worst places to be a renter in America. It is the only state in the US where tenants are treated as criminals for paying rent late and landlords are not required by law to maintain their properties. "Its failure-to-vacate law lets landlords give tenants a 10-day eviction notice if they are even one day overdue. Tenants who can't or won't leave within that span face fines for every day they remain on the property and up to 90 days in jail. "This makes things difficult for the third of Arkansas's residents who are renters and have legitimate concerns about the properties they are occupying. The combination of failure-to-vacate and the lack of warranty of habitability make it almost impossible for tenants to challenge their landlords for legitimate reasons. It's estimated that criminal evictions occur everyday in Arkansas, resulting in over 2000 failure-to-vacate cases being filed each year."
In 1987, a team of outsiders attempt to break a hallowed baseball record in a desperate bid for fame, fortune, and careers in the major leagues. Even if they succeed, no athlete can play forever — and what comes after the death of a dream?
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
An intimate and moving meditation on the late musician and artist Kurt Cobain, based on more than 25 hours of previously unheard audiotaped interviews conducted with Cobain by noted music journalist Michael Azerrad for his book "Come As You Are: The Story of Nirvana." In the film, Kurt Cobain recounts his own life - from his childhood and adolescence to his days of musical discovery and later dealings with explosive fame - and offers often piercing insights into his life, music, and times. The conversations heard in the film have never before been made public, and they reveal a highly personal portrait of an artist much discussed but not particularly well understood.
This film is the result of more than two years of work tracking down archive material and witnesses close to Mobutu in Africa, Europe and the U.S. More than 950 hours of footage have been seen by the world. Among the 104 hours selected as the basis for this film, are 30 hours of archives recently discovered in Kinshasa and never before released. Completing these exceptional documents, are more than 50 hours of interviews with those close to the former president and the events surrounding his reign, conducted by the director in Kinshasa, Brussels, Paris and Washington. Like a vast historical puzzle, this film pieces together the tragic history of a country, and its self-styled leader - the dictator, Mobutu Sese Seko, "King of Zaïre".
Robert Altman's life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.
Filmed record of a major rock and roll festival held at Wembley Stadium, London, in August 1972. London Rock and Roll Show begins with excerpts from numerous "warm-up" performers shown singing either covers of 1950s hits, or original tunes, including a performance by Screaming Lord Sutch that threatens to end the concert prematurely when he brings a stripper on stage. The main concert segment begins with Bo Diddley and continues with a string of other major performers including Jerry Lee Lewis, Little Richard, and Bill Haley and His Comets. The concert ends with an extended performance by Chuck Berry, who at the time was enjoying major chart success in Britain and the US with his "My Ding-a-Ling" (although he does not perform that song in this film). Mick Jagger also appears in several non-musical interludes in which he is interviewed about the performers.
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