Short documentary on a central african tribe called 'The Chillouks'.
A method soldier boys have for amusing themselves in their leisure moments. New comrades are frequently initiated by the old-fashioned sport of tossing in a blanket. The newly arrived recruit, who is the victim of their sport, enjoys himself, perhaps, less than the other participants.
An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.
The world appears black on black until it separates from itself, looks at itself, includes itself, and sees colour.
In 1926, Buster Keaton was at the peak of his glory and wealth. By 1933, he had reached rock bottom. How, in the space of a few years, did this uncontested genius of silent films, go from the status of being a widely-worshipped star to an alcoholic and solitary fallen idol? With a spotlight on the 7 years during which his life changed, using extracts of Keaton’s films as magnifying mirrors, the documentary recounts the dramatic life of this creative genius and the Hollywood studios.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
To popularize the idea of automobile travel, Ford Motor Company produced Ford Educational Weekly, a film magazine distributed free to theaters. One 1916 series featured "Visits to American Cities." In this episode, Los Angeles is featured at the very beginning of the boom created by oil, movies and aircraft. On the occasion of its centennial in 1953, Ford donated its film to the National Archives and Records Service; this copy derives from a fine grain master printed from the Archive's preservation negative. Music by Frederick Hodges.
At the beginning of Sumadijska street in the vicinity of Slavija Square on the 11th August 1913, the Serbian victorious army from the Second Balkan War led by the Crown Prince Alexander Karadjordjevic was given a huge welcome by the highest military and political authorities of Serbia and Belgrade, representatives of civil organizations and national institutions, as well as several tens of thousands of people from Belgrade, Serbia and Vojvodina.
Newsreel of the visit of sultan Mehmed V Resad to Bitola.
A silent film featuring footage from the 1935 Mauna Loa eruption at Mokuʻāweoweo Crater and the 1942 Mauna Loa so-called "secret eruption" which was not publicized to prevent Japanese planes from navigating at night. There is also footage from Halema'uma'u Crater on Kīlauea from 1934. Filmed on 16mm Kodachrome, this is possibly the first color film of a volcanic eruption.
A poetic documentary tribute to the famous Eiffel tower, built for the 1889 World Fair and intended to have been destroyed 20 years later. A vocal subset of Parisians (among which, one may surmise, Clair would've been counted) insisted the Tower remain above the River Seine, a continued display of French engineering excellence. Clair makes strategic use of double exposures and dissolves, capturing the mechanical exuberance of the Tower; The great swooping steel latticework edifice a bounding symbol of the modern age.
Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.
Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.
Experimental 8mm film by Karpo Godina.
Over a century ago, Sagar Mitchell and James Kenyon roamed Britain and Ireland filming the everyday lives of people at work and play. For around 70 years, 800 rolls of nitrate film sat in sealed barrels in the basement of a shop in Blackburn. Miraculously rediscovered by Nigel Garth Gregory and later restored by the BFI, this now ranks as one of the most exciting film discoveries of recent times. Mitchell & Kenyon in Ireland is a unique and vivid record of Ireland at the start of the twentieth century. The collection contains 26 films made in Ireland between May 1901 and December 1902. Much of this material was unseen for over 100 years. The films include street scenes of Dublin, Wexford and Belfast; the Cork International Exhibition, scenic routes from Cork to Blarney Castle and more. They are accompanied by piano and fiddle music and commentary read by Fiona Shaw.
A unique hybrid of documentary, silent film, drama and dance, 'Breaking Plates' puts revolutionary women of the past on the screen with present day filmmakers. Contemporary women talk to characters from 100 years ago, reanimate their antics and emulate their mayhem moves. As early 21st century performers step into the clothes of their early 20th century counterparts, battling their haywire machines, exploding gags, and eruptive bodies, they learn to wield humour as a weapon against the structures that contain them today.
The epic story of the Russian Civil War (1918-21): the White Terror, the counterrevolutionary uprisings, the guerrilla war, the Kolchak front, the Wrangel front and the Kronstadt rebellion. Chaos and violence, devastation and death.
A dream walk through the United States of America; a meditation on the thoughts and ideals of its inhabitants, as they are exposed in their silent but eloquent home movies.
Photo sequence of the rare transit of Venus over the face of the Sun, one of the first chronophotographic sequences. In 1873, P.J.C. Janssen, or Pierre Jules César Janssen, invented the Photographic Revolver, which captured a series of images in a row. The device, automatic, produced images in a row without human intervention, being used to serve as photographic evidence of the passage of Venus before the Sun, in 1874.