Murnau, Borzage and Fox

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Footage shot during Japanese Army Lieutenant Nobu Shirase’s second Antarctica expedition.

The Tsar visits the Russian embassy

A unique hybrid of documentary, silent film, drama and dance, 'Breaking Plates' puts revolutionary women of the past on the screen with present day filmmakers. Contemporary women talk to characters from 100 years ago, reanimate their antics and emulate their mayhem moves. As early 21st century performers step into the clothes of their early 20th century counterparts, battling their haywire machines, exploding gags, and eruptive bodies, they learn to wield humour as a weapon against the structures that contain them today.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Documentary about the lost 1914 film "Sperduti nel buio". Film historian Denis Lotto journeys across Europe following the trail of the lost movie.

A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.

An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.

Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Finland’s first nature documentary. The filmmakers’ expedition leads them all the way to the Åland Islands and the Karelian Isthmus.

It's the oldest Brazilian movie that survived and the film that captured the first car race in Brazil.

Lucien Bull was a pioneer in chronophotography. Chronophotography is defined as "a set of photographs of a moving object, taken for the purpose of recording and exhibiting successive phases of motion."

It is a dramatic film, with its colossal explosion and smouldering remains. Within seconds of the chimney's collapse, crowds swarm in to inspect the site; issues of the crowd's health and safety are clearly not a concern, as people smile, wave and salute the camera.

A documentary on the 1928 Olympic Games in Amsterdam. Made by Istituto Luce, there is an understandable focus on Italian athletes, but it is the first Olympic documentary that describes the techniques of certain events.

A troupe of gypsies takes a traveler along with them on their day trip.

Also known as The Operation of Dr. Alejandro Posadas. Filmed with early orthochromatic film in the Hospital de Clínicas de la Ciudad in Buenos Aires.

Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.

A fascinating pictorial document: On an old, cluttered work ship, a man is helped on with a bulky, old fashioned diving suit. It's a complicated process, many layers and sections are carefully applied. He goes over the side. Some men row out to what looks like a wrecked barge and set dynamite. Then the diver returns and now laughs and acknowledges the camera. The other men, now safely away, blow up the barge.

Egypt's only modernist architect Hassan Fathy (1900-1989) was committed to ecology and sustainability in his architecture. This film takes us with slow steps, in still images, to two villages he created. Fathy's historically grounded, forward-looking designs prompt us to reflect on the past as well as contemplate new solutions for the future.