Queen of Trucks

This film shows the dangers of driving commercial trucks professionally as part of driver’s education. It displays various truck drivers; some cautious and others fatally dangerous.

Meet the crew of the Union Pacific Challenger No. 3985, the largest and most powerful steam engine in the world. This colorful documentary is a behind-the-scenes look at the conductors, engineers and mechanics who keep this fickle train running, an engaging history of steam power, and a scenic tour the Great Plains -- from Cheyenne, Wyo., through Denver and across Nebraska to the Omaha headquarters of the Union Pacific.

DRIVER is a soulful exploration of resolute female long-haul truck drivers pursuing validation for their hard-earned work as they navigate the oppressive forces in their industry. Employing an intimate lens, Nesa Azimi’s first feature brings the audience into a community of solidarity and self-determination.

Overview of the 1958 British Grand Prix by Shell-Mex and BP. Wonderful 1950's colour film

An overview of the 1955 Belgian Grand Prix by Shell Oil. Watch the racing heroes of the 1950's conquer the tarmac in one of the picturesque racing circuits of Europe.

An amusing view of the machine that has taken the country by winter storm: the snowmobile, revving, raring, ready to go. What the motorboat was to the summer lake, this motorized sled now is to the snow-covered fields. This film shows it all--the pull of this sit-down sport, the eagerness of the trade to keep it booming, the daring rivalry of the racing crowd, and the bemused pleasure of the family outing.

This short documentary shows how a city's water supply is purified at a filtration plant. The complex system of the underground mains that supply all parts of the city with water is also illustrated, as is the safeguarding of water supplies on trains, ships and aircrafts.

In the heart of New York City stands Grand Central Terminal. Explore the magnificent secrets of this iconic landmark as we take you inside the heart, soul and amazing engineering of this superstructure. From railroad cars to rush hours, we unlock the colorful tales of its past, present and future.

A bus stop on an industrial highway in New Jersey becomes the focus of a timely and intimate examination of marginalized lives in America. 'The #1 Bus Chronicles' interweaves portraits of the lives, pursuits, trials, and dreams of the riders of New Jersey Transit's #1 bus line, taking us into their workplaces, homes, and day-to-day lives.

This 1996 documentary takes a nostalgic ride through history to present the experiences of Black sleeping-car porters who worked on Canada's railways from the early 1900s through the 1960s. There was a strong sense of pride among these men and they were well-respected by their community. Yet, harsh working conditions prevented them from being promoted to other railway jobs until finally, in 1955, porter Lee Williams took his fight to the union.

On 24th March 1968 an Aer Lingus plane carrying 61 passengers and crew crashed into the sea just off the Tuskar Rock lighthouse off the Wexford coast. There were no survivors. Family and friends of those onboard tell their story of loss and the theories of what happened.

Film charting the development of the London bus from 1829 to 1979, with the 150th anniversary of Shilibeer's first service, featuring a procession of many of the Museum's historic vehicles. Collected in BFI's "London on the Move."

A film aimed at showing young people the range of careers open to them if they joined British Rail as an apprentice. It shows the support and education given to apprentices during their training.

Continuing the study of the normal tasks performed by a permanent-way gang, this film deals with the maintenance of switches, common crossings and obtuse crossings. These are the fundamental units from which all track layouts, however complicated are built up.

One day, the tree is considered mature. In any case, it is exploitable for the industry. So, we mark it and then cut it down. With the chainsaw or the harvester, it depends. And then it becomes biomass, pallets, panels, pellets, crates, paper pulp for printing promotions. But what profit does man get from the pains he takes under the sun?

This feature documentary shines a light on a group of women who are passionate about their non-traditional job – trucking. Filmed in 1999, it follows the women all across Quebec as they do their job and address the big-ticket items in life: love, family, freedom, and solitude. Filled with humour and the contagious good spirits of the women involved.

Through experimentation, direct observational filmmaking, and performative play, filmmaker Amy Reid rides and films with women truckers who have fled domestic violence, the stigmas of being formerly incarcerated, and mental health issues. The three subjects -- Sandi, Lori, and Tracy -- each share how they started trucking and what keeps them trucking.

"The End of the Line - Rochester's Subway" tells the little-known story of the rail line that operated in a former section of the Erie Canal from 1927 until its abandonment in 1956. Produced in 1994 by filmmakers Fredrick Armstrong and James P. Harte, the forty-five minute documentary recounts the tale of an American city's bumpy ride through the Twentieth Century, from the perspective of a little engine that could, but didn't. The film has since been rereleased (2005) and now contains the main feature with special portions that were added as part of the rereleased version. These include a look at the only surviving subway car from the lines and a Phantom tun through the tunnels in their abandoned state, among others, for a total of 90 minutes of unique and well preserved historical information.

a short documentary about the yellow university vehicles in Thailand.

Most movie fans know that the first filmmakers liked to shoot trains entering stations. This example by Sussex film pioneer George Albert Smith illustrates why. The train's rush towards the audience brings movement and visual drama. The flurry of human activity offers plenty for the audience to engage with - who are these people and where are they going? And the time pressure exerted by the fact that the train must soon depart adds narrative tension - will everyone get on and off in time?