Registration of the fifth theatre program by the Dutch comedy duo (Niels) Van der Laan & (Jeroen) Woe.
Television registration of the third program by the Dutch comedian Marc-Marie Huijbregts. Marc-Marie Huijbregts sketches a very intimate self-portrait based on personal anecdotes and reflections.
Lenette van Dongen: Nikè
Registration of the first theatre show by the Dutch comedian Sanne Wallis de Vries.
Stage registration of the fourth comedy special (2006-2008) by the Dutch comedy troupe De Vliegende Panters (The Flying Panters). This show tells the story about who the Vliegende Panters really are.
Rayen Panday: Fenomeen
Najib Amhali: Most Wanted
In his third theatre program the Dutch comedian Hans Teeuwen plays with empty wine bottles, little girls and himself. Poetic, absurd, false and genuine.
The second show of Dutch comedian Hans Teeuwen: sex, violence and foul language in a string of songs, abrupt transitions and evocative characterizations.
Back in 2003, Alex Agnew was the first Belgian to win the prestigious 'Leids Cabaret Festival' in The Netherlands. He was the winner in both categories: Jury and public. Alex is a mixture of an English father, Belgian mother, an overdoses (action) movies, superheroes, comic books and a lot of music. No quiet, sophisticated humour, but proud to be loud! Rock'n'Roll comedy!
The perfect way to get acquainted with Philippe Geubels' infectious humor or to relive a wonderful evening of live stand-up comedy.
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.
Stage registration of the umpteenth comedy special that the Dutch comedian Brigitte Kaandorp played in 2018-2020.
Marian and Ido are married and have a 16-year-old daughter, Pinkie. Marian and Ido's marriage has become boring. Ido is a conservative and neat furniture manufacturer, but secretly starts a relationship with the beautiful Emma, his secretary. When Marian discovers this, she offers him a choice: stay with her or move on with Emma. Ido cannot make this choice, so Marian throws him out. Ido moves in with Ida, but continues to interfere intensively with Pinkie, who to his horror becomes friends with Wim, one of his Turkish workers.
Registration of the eight solo show by the Dutch comedian Sara Kroos.
Stage registration of the second comedy special by the Dutch comedian Eva Crutzen. Crutzen tells and sings, accompanied by Jerry Bloem, about her life as a thirty-something, surrounded by other thirty-somethings who desperately hide their mental issues.
In this comedy show (the only full show by Jeroen van Merwijk that has been captured on screen) the Dutch musical comedian talks and sings about Mozart, America, the invention of new words and death.
Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.
Dutch comedian Youp van 't Hek attempts to see the humor in the chaos that was the year 2020.