Memória do Cangaço

Zé de Julião, Muito Além do Cangaço

Lampião, o Rei do Cangaço

A docufiction film about the fall of Virgulino Ferreira da Silva, widely known as Lampião – the mythical bandit leader from the Brazilian northeast who fought the local power and put his name in history.

A man seeks revenge after his sister get raped by an unknown foreign, identified only by scar and a missing finger. But his payback journey is a long way and bears its surprises.

In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.

On the day of Pedro Boiadeiro's wedding, a band of cangaceiros who survived the Angicos massacre invade his home, then proceed to beat him up, and abuse and murder his wife. Pedro sets out to get revenge on each one.

Romantic biography of Maria Bonita, daughter of a poor farmer who was kidnapped by Lampião and became his lover.

Based on the novel by Franklin Távora, the film follows the adventures of a father and a son in 18th century Brazil.

Brazil, the 1920s. The sadistic colonel Minas massacres the hometown of a famous cangaceiro (a kind of revolutionary bandit). The only survivor is a young farmer called Espedito; he is nursed back to health by a hermit who thinks he has been sent by God and therefore baptizes him the Redeemer. Espedito/The Redeemer forms his own gang of cangaceiros but doesn’t really understand what he’s doing until he befriends the proverbial European intellectual, a Dutch Oil prospector, who introduces him to important people. Espedito is hired by the Dutchman and a corrupt local governor, but then the Dutchman changes sides …

'Bruce' goes to head with bandits who are terrorising and murdering villagers.

After the proclamation of the Republic, a group of fanatics in the sertão dreamed of and fought for the restoration of the Monarchy. At that bloody time, Fabiano, a quiet boy, becomes a cangaceiro and is attacked by the police. Although wounded, he manages to take refuge on a farm where he is hidden in by Lúcia, the farmer's daughter, with whom he falls in love.

This is a remake of Brazil's first international success in the cinema world. Just as its same name predecessor was, this film is a fictional version of the story of the "cangaceiros." These were bandits who sacked towns and spread terror throughout Northeastern Brazil in the 1930s. This group of outlaws is led by Captain Galdino and his wife Maria Bonita.

A Lebanese photographer living in Brazil in the '30s manages to film the band of Lampião, a legendary Brazilian bandit.

Aroeira

The workers talk about the pleasure of starting work in a shipyard, the pride of making the vessel, and the recognition of workers and the high spirit of their novel struggle. There was solidarity everywhere, even in each other's mind. But there is no more energy in Hanjin Shipyard. The workers have been laid-off and the strike shows no sign of stopping. A 34 year-old worker committed suicide as well. It's the fourth who has become a martyr for the cause. Why have the laborers who worked at Hanjin shipyard separated like this? They are starting to ask themselves why they decided to hate each other.

Survivors tell the story of the Babyn Yar massacre from WWII, where some 100,000 people were massacred by German forces.

Carlos Oliveira's literary universe is re-enacted in a studio using the writer’s personal objects and manuscripts, and with the help of Luis Miguel Cintra and Fernando Lopes. Shot with the purpose to document his work in the same way Carlos de Oliveira documented his hometown in Gândara, the film uses all the creative liberty that new digital technology allows in order to recreate the visual and sound records that were also present in the writer and poet’s own work.

A documentary about the open sexuality retreat called "Sandstone" in California.

Stephen Dollins, an ex-Satanist High Priest, exposes the subtle devices used to infiltrate the homes of Christians and non-Christians alike to lure the young and old into the practice of Witchcraft and Satanism. Discover the evil truth behind today’s crazes: movies, video games, and role-playing fantasy games. These devices initiate our children into the world of the occult by making evil appear to be “cute”, such as Teletubbies, Pokemon and various children’s books.

Interviews with director Kon and others cover the entire production from beginning to end. Opening and closing narrated by Genya Tachibana.